Tag Archives: kidlit art

picture books for pairing: me & mama + saturday

09.29.2020

I haven’t published a “picture books for pairing post” in so long! Here’s one showcasing two picture books I couldn’t help but envision together in a storytime or stack.

They both are about mothers and daughters. They both are about spending time together and the bond between them being their center. They both are about coping when things don’t go as planned. They both have totally distinct styles but are both utterly beautiful.

Me & Mama by Cozbi A. Cabrera (2020).

This picture book is full of paintings as evocative as the accompanying words. It is full of moments. Full of details in the text and details in the art like flowers, curtains, wallpaper, the textures of a home. Full of objects and observations the narrator notices about her day, her day spent with her mama—her constant.

It exudes togetherness and love in the simplest things: a morning, an oatmeal breakfast, their rain boots, their toothbrushes, a walk in the rain. And when there is a mishap, a cup breaks, that is perfectly okay because the narrator is with her mama. And the book ends with her knowing that she’s always with her, a soothing, steady balm.

“…I want to be everywhere Mama is.”

Saturday by Oge Mora (2019).

This picture book features vibrantly exuberant pastel collage art, energetic language, and a mother-child relationship that is honest and connected and full of love. It is also about a particular day—Saturday!—that has a very particular and special, splendid routine, a routine that on this Saturday has one big mishap, and then more to follow.

But this story embodies resilience. Because with each mishap, with each potential ruined outing, mother and Ava keep on and bounce back and come up with creative solutions. Why? Because they have each other. And that is the most special, splendid thing there is. It’s all they need.

“Saturday was the day they cherished.”

You may also want to check out the collage card craft I made for Thank You, Omu!, also by Oge Mora.

the old truck + sponge stamps craft

Picture Book Crafts

06.11.2020

The Old Truck by Jarrett Pumphrey and Jerome Pumphrey (2020).

This picture book (created by a pair of brothers!) is sophisticated yet simple, celebratory, and circular in that its beginning connects to its whole and its close. It welcomes you in and gently ushers you along.

It’s the story of an old truck, but it’s also the story of a family, a girl who goes on to revive the truck, and a farm. Realistic with an imaginative interlude in the middle, it speaks to the beauty of days lived, of seasons passing, of moments and dreams and determination unfolding over time. It speaks, in a particular way, of love.

(click image(s) to enlarge)

The characters in this book are the old, red truck, of course, the farm, and the family—especially the little girl coming out of the barn in the spread above. The art, to me, is also a character. The geometric yet sweet, textured stamps give a wonderful quality to the pages—warm, homey, timeless, welcoming. The stamp illustration technique also brings to mind and mimics the hard work and process we see in the story on the farm and on the restored truck and the labor done by the truck itself. (See more of Jarrett and Jerome’s stamp-making behind the scenes here.)

The girl and the truck are parallels. They are the heart of this story.

“Part of the inspiration came from looking at books we consider timeless, books that we read when we were kids and that we still have. Even though they didn’t necessarily use stamps, the work of those mid-century illustrators had texture. It was trial and error — we tried different things, but in the end, stamps had that similar look.”

—Jerome Pumphrey from this Horn Book interview

“We didn’t grow up in the inner city. We lived on places like farms and in the suburbs. Telling those stories is absolutely essential, because it adds some dimension to the lives that black kids live. Black kids are not just in cities. They live everywhere. I’m glad we could contribute to that.”

—Jarrett Pumphrey from this Horn Book interview

And in the end it’s spring. The flowers are blooming. The truck is running again thanks to the girl who’s grown up to be a farmer. And another little girl sits on the gate of the old truck ready to help, ready to love and be loved, ready to live seasons and days and moments, to let them unfold, to dream with determination. And we as readers have a sense that this story is not over. This story goes on and on.

p.s. There’s an old truck in real life Jarrett Pumphrey restored to check out as well!

When I saw the stamp artwork in The Old Truck, I knew I had to try my own kid-friendly version to honor this beautiful book! I hope this proves to be a fun activity for young readers to live with this story more deeply, to explore the artistic process of creating it, and to play with shapes and paint.

What you’ll need:

Sponges! The kind that are compressed and “pop up” when you put them in water

Paint (I used Crayola tempera paint)

Paper—some for tracing, some for stamping!

Pencil

Scissors

Foil

Paper towels or rags for wiping up

The first step is to cut out your shapes. I started by drawing shapes from the book onto printer paper—the truck body, its wheels, the sun, clouds, stems, and flowers. Then I transferred those shapes onto sponges with pencil (while the sponges are still compressed—flat and stiff). You can do this freehand or by tracing around the paper or both. Then, cut out the sponge shapes! You’re almost ready to paint with stamps.

Once your sponge shapes are ready, it’s time to make them pop up! Run each sponge under water and feel it expand, which is super cool! Wring out the water (they do not need to be all the way dry) and you’ve got your stamps.

I poured my paint colors onto aluminum foil (you might have another method that works). To lighten the blue, I added some white. To make pink, I combined red and white. I also lightened up the yellow a tad for the flowers. Then, place your stamp in the paint and do some tests on scrap paper to see what thickness you want and how the process works. When you’re ready, stamp your craft paper and make a scene from The Old Truck! Stamp, stamp, stamp some more!

That’s it! This is definitely a fun one, with lots of room for play, process, and creativity. Enjoy!

While you’ve got your paints out, you might enjoy this Señorita Mariposa butterfly clothespin craft!

akiko miyakoshi’s picture book life + giveaway

their picture book life

03.16.2018

That’s right—today I’m sharing Akiko Miyakoshi’s picture book life! She’s had three picture books published as author-illustrator in English so far, and I’m looking forward to more! Her work is absolutely infused with imagination and her charcoal and pencil drawings allow her to alternate beautifully between spare and substantial, depending on the tone of the moment she’s portraying.

Miyakoshi’s work is infused with stillness, curiosity, connection, comfort, hope, imagination, and a little bit of magic. Her books, for me, quietly captivate and make the world slow down.

The Tea Party in the Woods (2015).

This one feels like a fairy tale without the scary bits. A girl in a red cap, a pie, a grandmother, a bear. When her father forgets the pie he’s bringing to Kikko’s grandmother, Kikko sets off to find him. She thinks she’s following his footsteps, but instead she’s led to an unfamiliar house in the woods. But no scary bits here, remember? The figure in the coat and hat Kikko followed was actually a bear, the house the setting for a wonderful tea party with other forest animals and pie.

Instead of the woods being a place to fear, this story portrays it as a place of wonderful surprises and generous, welcoming spirits.

“You’re never alone in the woods,” Kikko answered, smiling.

While the woods were once empty, full of white space and leafless tress, the animals fill it in a sort of parade. Her use of color is so effective too, little spots of brightness and then that sweet, colorful pie. The illustrations convey the feeling that though the world may seem lonely, it’s full of wonder and community and magic. And the details make it feel truly real.

This book has surprise and joy and fond feelings shared by all kinds of creatures. And, it’s a story that affirms a child’s imagination, something I’m always a fan of and something Akiko Miyakoshi does exceptionally well.

The Storm (2016).

A boy planning a beach day with his family worries the coming storm will cancel his trip. There is fear in this story, fear of weather and fear of having joyful plans disrupted. The black and white drawings add to the ominous feelings of worry. After wishing for a ship to conquer the storm, that night he dreams of one, and he is at the helm. Here too, a child’s imagination is a powerful, palpable thing and the next day, the storm is gone.

“I wish I had a ship with big propellers that would spin stronger winds to drive the storm away.”

Finally, the lift and break and joy of brilliantly light blue skies that match the remaining puddles from the rain, a child’s wish fulfilled telling readers that despite the darkness of worry, there is hope. Despite fear, there is courage.

The Way Home in the Night (2017).

The bunny in this book is walking home with their mother, looking at the windows they pass. Once again, this story captures imagination and wonder so effectively as bunny imagines what each neighbor might be doing inside their home. Bunny pictures these domestic scenes, each rendered simply, yet with so much resonance. We glimpse each character through Bunny’s wonderings, each evening they’re having in that tender, liminal time of night before going to bed.

“But every night, we all go home to bed.”

The yellow glow in this picture book about night is one special thing about it. It’s dark, it’s night, but it’s always comforting, illuminated. Perhaps there is a comfort in imagining others around us even when we can’t see them. If we can envision the experience of others, then we know we are all the same under the same moon in the same dark and glow of evening.