online picture book revision workshop

I’m thrilled to offer another online picture book revision workshop, this one a special half-day event! It’s three and a half hours and it’s supportive, interactive, and will help you revise your manuscript, reflect on your writing journey, receive inspiration, and revitalize YOUR storytelling—all in one sitting! Well, there will be a few breaks sprinkled in.

This is truly a meaningful revision method that focuses on you as a writer and your picture book manuscript in a unique way that will have a lasting impact on your story—and your vision of yourself as an artist! Writers and writer-illustrators welcome. (I use this method myself for every project.)


Saturday, February 26th, 2022

9 am Pacific (noon Eastern) to 12:30pm Pacific


You can sign up immediately via that PayPal button below (Pay $175)! If you have any questions or would like to sign up for a full scholarship—there are three available for creators with marginalized/underrepresented voices in publishing—please do drop me a line! I’d love to have you join, and those spots will go fast!

Register and pay for this workshop here ($175)!

Contact me about a full scholarship!

Within 48 hours of payment, you should get an email confirmation directly from me after I’ve had a chance to log your sign-up (please reach out if you don’t hear from me in a couple of days as that means there was a snafu).

Cheers to writing and revising!

to make…a cover! + interview with illustrator Mags DeRoma

This is a special post. A cover reveal! In fact, I get the great honor of sharing the cover of my and illustrator Mags DeRoma‘s picture book, To Make, with her cover art! This picture book will be out in summer 2022 from Harper/Katherine Tegen Books. But let’s get to today’s main event:

Here is the cover of To Make, made by Mags DeRoma!


It is truly every children’s book writer’s dream to behold a cover like this, one they truly love, that feels right, that makes them dance when they see it. That all happened when I saw this stunner. Most importantly, it captures the spirit of To Make.

Because at its heart, our picture book is a manual to inspire kids to make. It celebrates the process and perseverance of creativity and encourages every reader to “keep making.”

And the book’s cover feels to me like those three kids joyfully embarking in that direction. It feels like an invitation, full of possibility.

Lucky for us, Mags DeRoma, artist behind it, is going to answer some questions about the cover and her process of making the art for To Make. She’ll also share about her craft and convictions when creating picture books for kids.


This Picture Book Life: I relate the child on the far right of the cover to you as an artist, with a bundle of art supplies. Will you tell us about your materials for making?

Mags DeRomaHa! Yes, I can often be seen with an armful of art supplies and a trail behind me! I simply love to make things, things of all kinds, wherever I find myself, whether it is in my studio, in the kitchen, at the beach, camping, even laying in bed helping my kiddos fall asleep (there, I use words to paint pictures). I am delighted by art supplies both classic and found (old books make for fun collage elements, for instance), so I could make lists for days!


“For this book, I used Blackwing pencils (my fave), graphite, charcoal, soft pastels, newsprint, flea-market found paper, acrylic paint and gouache, sandpaper, and lots and lots of glue.”



TPBL: How did you approach the illustrations for To Make—what was your vision for bringing this story to life?

MagsDeRoma: When I first read the manuscript that you wrote, Danielle, I was so touched by the gentleness, care, and patience of the making process as expressed (among many other things!). I wanted to echo that feeling in the art. It only seemed right to make the “story arc” of the pictures actually “illustrate” the process of making the art of the book.


“At the beginning of the book, the images are rendered in graphite and pencil, and as the pages turn, more materials, colors, and layers are added. There is a sense of building and layering and becoming over the course of the book. Which is what happens when you make.”



The story that must be told here is of a conversation we had over dinner one night, just before you sent me the manuscript. We first connected (gushed) over our mutual reverence for Gyo Fujikawa and her picture books. I have a tattered copy of Come Follow Me from my own childhood that I frequently open for inspiration (and a warm hug).

Gyo is a mentor and a guide, even though I never knew her, and I have so much admiration for the art, and the woman—a bold, talented, and fearless, and huge-hearted woman artist. She could see kids. You can see that in her work. She showed kids from every walk of life, and in the most charming and heartfelt way. So anyone could pick up her books and see themselves in them. And she made everything with an element of magic and whimsy. Pure gold.



“So, the art in To Make is very much inspired by, and an ode to my love of Gyo Fujikawa.”


TPBL: What’s a favorite detail or two about the cover, something meaningful to you?  What’s a word or couple of words you’d use to describe it?

MagsDeRoma: I make everything with curious, observant little minds in mind. So I love to put in little details—like random hearts—or even “waves” to my kids in the art. I will tell you one…there is a little graphic on the hat of the third kiddo that is a little “wave” to my son.

“A few words to describe [the cover]—impetus or the birth of an idea, a commencement,

a joyful celebration, an awakening.”


TPBL: “Gather, make, wait” is the main refrain of the text. How do those instructions reflect your own process for To Make or in general as an artist?

MagsDeRoma: I think that refrain was the hook that perfectly harmonized with my feelings on making, and yes, in particular, this book. I grow through art-making, and this book was very much a growth moment for me. I lived by this mantra of ‘gather, make wait’ for several months, gathering ideas and scraps and making sketches and marks and mistakes, and then the funny thing with art, for me, is that you do have to let it steep for a bit. There were several pieces I completely changed or redid after letting them rest a little tucked away on a shelf. And also some that got better with age. 🙂


TPBL: What do you hope to convey to children through the voice of the work you create?

MagsDeRoma:I believe that picture book art is a conversation between the reader and the illustrator. So I hope that kids feel the warm hug that I try to put into all of my art, first. Then, that they receive the permission to make a mess or be gloriously creative, and to be totally present and lost in a project.

I hope they see themselves reflected in the art, whatever that means to them.


“I hope they can feel a glimmer of understanding, the way I did when I first read it. The ‘someone just GETS me’ feeling. Or, they forget everything altogether and just start making things, wonderful things.”


And I hope they feel that their creative pursuits matter, greatly.


TPBL: Please share your path to becoming an illustrator. What are your reflections or even advice as you look back at it from where you are now on the journey?

MagsDeRomaThe path of every creative I know (of allll kinds) has one thing in common—they are all completely unique and different. I have always made art and things and I wrote and illustrated loads of stories growing up. I went to school for sculpture and photography, and then got a job at a photo studio at an ad agency in Chicago. That path led to an unexpected career as a Creative Director in advertising. I left that path several years later when I created Silly Street, a board game for preschoolers. In the process of designing the game, I ended up illustrating a million little animals. I had a 5-year-old at the time, and so this animal-drawing skill came in very handy (I can also now draw all of the Avengers, Pokemon, and dinosaurs, or whatever the whim of the day happened to be…but I digress).

The creation of Silly Street led to a more dedicated and intentional art practice, which lead to a portfolio, then an SCBWI portfolio showcase, which led to an agent (Hannah Mann, Writer’s House), and finally a book deal (Awake, Roaring Brook Press, out Oct 19!).

That is the most hyper-simplified encapsulation of this journey! There were a lot of late nights, coffees, scrambles, piles of discarded attempts, missteps, a hilarious snafu with a portfolio presentation involving 17 hotel sewing kits, and other happy accidents along the way. I wrote my first picture book manuscript/thumbnails on the pages of the 4 Hour Work Week by Tim Ferriss when I was in a hotel on a work trip, longing for a more art-driven path (and without paper to draw on!).

The secret for me was consistency and diligence. I just had to make something, every day. I found the #100days community to be super supportive, and a great accountability buddy. I also have a small critique group of picture book makers that has been an invaluable source of support and fun over the years.

Last, I have found it helpful to do my best to employ a student mindset. Everyone is a teacher, especially the little ones entrusting their childhoods to those making picture books! I plan to keep learning and growing forever, in service of them.


Thank you, Mags for this window into your making process, and for the most wondrous and meaningful cover for To Make!


We both are also full of thanks for:

Mabel Hsu, our incredible and truly dream editor at Katherine Tegen Books; Hannah Mann, who boldly and affectionately agented this book for us both; Amy Ryan, ace art director at Harper; Molly Fehr, gifted designer at Harper. This team has worked diligently on and cared deeply for this book from the jump. Thank you.


All photos courtesy Mags DeRoma



this writer’s life

I’m taking a minute to let readers of This Picture Book Life know that I have a new endeavor, a companion to this blog and all the stuff I’m putting out into the world. Introducing: This Writer’s Life.

I’d like to tell you about it, and then I’ll go back to regular programming here with a picture book craft post tomorrow!

I’m super excited about this project because it combines two things I’m passionate about: writing and teaching writing to kids!

This Writer’s Life is an educational video series for 8 to 12-year-olds and their classrooms—a resource library if you will—that peeks into the writing process. That means tools, writing activities, guidance, and encouragement for young writers to help develop their unique voices and imaginations.

My goal is to show kids what writing looks like, from the inside, with honesty and tips and cheering-on in order to inspire them in their own writer’s lives. And my dream is for educators to find it of use in their classrooms. I’ve got eleven episodes up so far and lots more planned. They cover “show don’t tell,” first lines, what I learned about writing from watching Project Runway, how to get ideas, revising with punchy verbs, crafting a character, and lots more. Many of them have free, printable corresponding PDFs in the show notes as well!

And my favorite part is that each episode features someone I know and admire with advice from their own creative life! I want kid viewers to see a diverse scope of creatives from a wide variety of fields represented to inspire them.



Since you follow this blog, you might want to start with Episode 8: “Picture Book Inspiration.” I talk up loads of picture books that are either about creativity in some way or else about a famous artist or writer. They’re a big help to me as a writer when I’m looking for motivation to keep dreaming and making stuff and I hope they will be to kids—or anyone of any age!


Would you like the best way to stay up to date with This Writer’s Life? 

By subscribing to my author newsletter, you’ll get each new episode delivered to your inbox as well as a free, printable PDF if there is one that goes with that topic.

You can also subscribe to the YouTube Channel or like This Writer’s Life facebook page as I’ll post each video there as well if you prefer it. Subscriptions to the channel and video likes really help me out to show I’ve got an audience tuning in.

Thanks for reading! Please follow along and reach out if you’d like to collaborate in some way.



pom poms + zinnia and the bees yarn bomb!

You know how I like book crafts, right? Well, since now I have a book(!), I thought it would be fun to have a craft for it. So I enlisted my friend, the very talented teacher and illustrator, Kait Walsh, to create a Zinnia and the Bees inspired craft.

Since my middle grade novel’s main character, Zinnia, is a knitter and  yarn bomber, Kait opted for pom poms. They’re a super simple yarn craft that don’t take a lot of time or materials to make.


You can make one pom pom. You can make a bunch of pom poms. Or you can  make pom poms with others, like say a group of kids, and then yarn bomb something together (no knitting skills required). Pom pom tree! Pom pom chair! Pom pom bulletin board! Pom poms are fun.

Here’s how to make a pom pom with just yarn, scissors, and some cardboard, in Kait’s wonderful hand drawn tutorial:


And here’s a printable PDF of the instructions!

Kait generously invited me to visit the Makers Mess summer art camp to make pom poms and yarn bomb a tree with the mini makers there! It was loads of fun! (We had permission from the park.)

Here’s a photo of the finished pom pom yarn bomb!

First we made pom poms.

The kids showed me how it’s done.

Then we set off to the park.

And a few of us talked about the book while having lunch.

We made more pom poms.

We yarn bombed!




Big thanks to Kait for the instructions and wonderful craft idea (as well as Chloe, the other art camp teacher)! And for spearheading the yarn bomb! It was such a special time. (Some of these images were taken by her as well.)



Kait Walsh is a Kindergarten teacher turned full-time artist. You can find her creating illustrations in her Silver Lake studio, teaching kid art classes at Makers Mess, or letting loose at her local dance studio. Follow her daily creations and discoveries on Instagram and feel free to contact her if you want to make something together or just say hi. @sealedwithakait





p.s. I’m coming to Green Bean Books in Portland August 13th and we’ll be making pom poms at the event!

























zinnia and the bees book trailer!

I’m interrupting regularly scheduled programming because my debut middle grade novel, Zinnia and the Bees, has a book trailer, and I’m so excited to share it with you!


Enormous thanks to the following wonderful people who made this happen:

Emily Arrow, dear dear friend and gifted songwriter, for the original “Zinnia and the Bees” song that perfectly captures Zinnia’s journey.

Meiko Takechi Arquillos, brilliant photographer, for giving her time and talents to the project.

Stevie Nemazee, animator and puppeteer extraordinaire, for generously lending her skills.

And Todd Davis, my honey, for dreaming this up and making Zinnia and those bees come to life with paper and buttons and imagination.


Look for Zinnia and the Bees August 1st from Capstone. And it’s available for pre-order now! In fact, if you pre-order a copy, I’ll send you some snail mail goodies to thank you! All the details here