It’s been six years of This Picture Book Life in July.
To mark the occasion, I’m giving away the six picture books above to one reader! (N. America only.)
Another by Christian Robinson (2019), a wonderful, curious, and wordless mind-bender in Robinson’s signature illustrative style.
The Undefeated by Kwame Alexander and Kadir Nelson (2019), an incredible, jaw-droppingly gorgeous book the author describes as a “love letter to America. To black America.”
My Papi Has A Motorcycle by Isabel Quintero, illustrated by Zeke Peña (2019), a portrait of a hometown and a family and change and what stays the same.
You’re Safe with Me by Chitra Soundar, illustrated by Poonam Mistry (2018), a lullaby of a book to feel safe in any storm (and you can see the craft the illustrator contributed to a blog post last year here!).
How to Two by David Soman (2019), an inventive counting book that honors play and collaboration and inclusion.
It’s Time for Bed by Ceporah Mearns and Jeremy Debicki, illustrated by Tim Mack (2018), a bedtime book featuring Siasi, who would charmingly rather commune with Arctic animals than fall asleep.
Studio might be best described as an ode to being you and finding your singular expression and space to cultivate it, and then sharing that with the world. It has bright, thoughtful, detailed, and exuberant art and feels like a truly kismet collaboration between text and visual story. It explores and honors creativity and making. (And it was written by one of my dearest friends.)
Just look at all those different kinds of studios and makers on display! Even the title itself on that sign is in the very process of being made, which is such a brilliant thematic touch! There in the middle of the top row of windows is our main character, a bunny who we follow as they tour studios and see artists of all styles and stripes, soaking up the energy and options they might pursue. By taking a tour along with bunny, readers will get a chance to do the same.
And here’s one bonus spread from the inside as well!
In honor of Studio’s cover reveal, I asked the creators three questions each and they’re all giving us a tour of their studios, past and present! What a complete treat!
James: Art is a job, and the studio is the place where the work gets done. What having a studio means for me is the benefit of having a private, peaceful space where I can work out new ideas; a place where I can experiment and even get frustrated without feeling like I’m bothering anyone; where I can put down a project for the night and pick it right up in the morning, without having to put everything away. It’s the freedom to work the way you want to.
Melissa: The studio is the place where we make our work, but it’s also a place to be inspired. We decorate it with the kind of work that we like to see, fill it with books that we can reference, and houseplants and other trinkets that help make it a comfortable and inspiring place to be.
What and where was your first ever studio?
James: First ever? The kitchen table or an elementary school art classroom would probably be the most accurate answer, but the first studio that really felt like my own was an out-of-the-way photo darkroom at high school. I finally got that sense of freedom and ownership you get with a studio because I could work there independently, uninterrupted, and play whatever music I liked. It felt great to be in charge of my own space, which is something I didn’t have at home.
Melissa: My first studio was a very similar situation! I had wanted to study oil painting in high school but there wasn’t place in my high school art classroom so my teacher lent me an underused storage closet that I could use as a painting studio. I had my own key, which felt very grown up. In retrospect, it was probably a terrible idea to let a teenager use solvents in an unventilated storage closet but I couldn’t have been happier.
From our studio in Milwaukee circa 2006-2008. We built and ran a community print studio and workspace in a Milwaukee children’s museum called Discovery World and worked on our personal work after the normal workday was complete. The work hanging behind us was from our students.
From our studio in Milwaukee circa 2008-2013. It was in the basement of our house and was our first non-shared studio (we had worked out of the University of Wisconsin-Madison print studio – our alma mater – before moving to Milwaukee to run the Discovery World Print and Publishing Lab).
From our studio in Lincoln Heights (Los Angeles) circa 2013-2014.
How did you approach creating the visual story for STUDIO after reading the text?
James: First, we felt it was important to create a visual story, independent from the text, with a strong through-line. That way, readers of all ages and skill levels could return to the book and enjoy it, even if someone isn’t there to read it with them. We also wanted to treat this as a true picture book of artists’ studios, showing as much detail and as many tools and supplies as we could fit in. That way, young readers could get a sense of the studio as a real place—and of being an artist as a real job that they could aspire to.
Melissa: As the characters go through the various studios, our thought was to show the little bunny getting progressively more comfortable among the community of artists and feeling more and more free to express themselves, and in the end, join the community of artists.
From our current studio circa 2014-present.
Next up the author, Emily Arrow, who you may already know from her music!
What does a studio mean to you?
Right now, my studio means the place with:
my stack of books and notebooks
my sweet rescue dog
What and where was your first ever studio?
Finding a space to be creative has been one of my favorite adventures for as long as I can remember. When I was about 7 years old, my piano teacher helped me record my own songs in her home recording studio she called “Squeaky Floor Studios.” I was in my happy place with headphones on, listening to the music and finally being able to step into the song with my own voice. Other special studios over the years include the recording studios where I’ve recorded my “Storytime Singalong” albums!
3. Tell us about the genesis of this story concept.
Because I believe creating art leads to peacefulness, I believe spaces that foster creativity have a special magic. I love visiting artists’ studios, dreaming up ideas about where I might create a music video, and finding the creative spark that can turn even an ordinary place into a studio space. A few summers ago, I decided to create my work in a shared studio space in Nashville. That cozy studio full of artists and illustrators was bursting with creativity, twinkle lights, and collaboration. Naturally, it became the “place for my art to start,” and I wrote Studio.
And here are all three makers of this book, together!! How special is that!
And finally, a giveaway! Simply comment below to be entered to win this pair of pins from The Little Friends of Printmaking. (N. America only; ends Friday, June 28th at midnight PST.)
Big thanks to Emily and to Little Friends for collaborating on this post—photos were provided by them. And to Tundra for book images!
I believe I met Bunnie from Brave + Kind Bookshop through Instagram. She was so generously supportive of my novel and when I found out she was starting her very own independent bookstore in Decatur, Georgia, I wanted to support her wonderful endeavor.
I cannot wait to visit in person someday, and I hope you do too!
Big thanks to Bunnie for sharing six picture book recommendations! Over to her!
I was at a point in my life where I wanted to turn a literal next chapter. A fit for my life and family. Something that would leave a lasting impact. I’d like to say I was not heavily influenced by Meg Ryan in You’ve Got Mail (1995), but it certainly planted a seed all those years ago.
So here am I now with my own little neighborhood shop around the corner. I’m grateful to get to curate a fun selection of kids books that I hope will inspire them to do something Brave, to do something Kind. It certainly makes me feel Brave and Kind to be a part of that.
As I look around the bookshop to finish writing I realize I have almost none of the books from below on the shelves currently because I can’t stop recommending them to our friends at Brave—HA!
I love this book first because the illustrations are just so darn sweet. And the beautiful chocolate girl on the cover just melts me. My first born (of two) is a girl, Andie and we have had our share of favorite dresses. It’s a story about a girl who outgrows her favorite dress but finds a way (with the help of her creative and patient mama) to keep wearing it in different iterations. The story is centered and illustrated around days of the week and seasons and its sing-song nature spins a fun and loving tale of getting older, creating memories, and adjusting to change.
“But One stood up straight like an arrow and said, NO.”
I read this to my son’s (Avery) 1st grade class and they got so into it. They couldn’t wait for me to read the next page! Its use of primary and secondary colors and numbers as characters proves a unique and fresh spin in this story about bullies and standing up for yourself and others. Blue is quiet, and Red is a hothead. One is about friendship and bravery and kindness and a staple on the shelves at Brave + Kind.
“Rigoberto. From Venezuela, your teacher says so soft and beautifully that your name and homeland sound like flowers blooming the first bright notes of a song.”
I’m partial to books that have diverse representation because I believe that everyone deserves (and wants) to see themselves in the stories they read (and watch too). We want to know that who we are and what we have to share with the world is good and enough. Even though we may look different on the outside with things like skin color, the things we eat or like to play, we are more alike than we know. This book’s cast of children is grappling with too poor, too shy, too different, or are they? The story celebrates bravery and stepping out to share your story even when you feel like an outsider. And what you may pleasantly find when you do.
This is an inspiring and courageous story of Leonard (a lion) and his best pal Marianne (a duck) and how these unlikely friends conspire to show those who insist that a lion and a duck should not be friends, that there are many ways to be a lion and many ways to be a friend. Timely and charming, this story will open young readers’ eyes to the importance of trusting their intuition and how choosing kindness in the face of criticism might just change the world.
Dear Girl by Amy Krouse Rosenthal and Paris Rosenthal, illustrated by Holly Hatam (2017).
“Dear Girl, Keep that arm raised. You have smart things to say.”
Oh my gosh I really think all the girls should have a copy of this and women too. Each page is a manifesto for all young girls as they consider what it means to trust and just be themselves. And that they are beyond amazing, just as they are.
Rumple Buttercup: A Story of Bananas, Belonging, and Being Yourself by Matthews Gray Gubler (2019).
“For All the Rumples Everywhere.”
Let me start by saying, I was sobbing by the end of this story. Think, what every single one of us wants is to belong and feel loved and connected. And I believe that our differences are what actually bind us together. Rumple is really weird. One of his eyeballs is literally floating in mid-air the entire book. And his teeth are crooked and skin is green. But if we really think about it, we all have something about ourselves that we feel is weird. (I haven’t always had a gap in my front teeth but I’m starting to like it, I think.) I don’t want to spoil it if you haven’t read it yet, but there’s an imaginary friend made of old candy and spaghetti and at some point Rumple thinks it’s a great idea to wear a banana on his head to blend in. Its beautifully quirky illustrated pages coupled with its inspiring and important message make this the perfect gift for anyone at all including yourself.
Bunnie Hilliard lives in Decatur, Georgia with her Hubby, Two kids Andie and Avery, and dog Brodie. She’s a stay at home mom (with a few side hustles) turned newest shop girl on the block (7 months and counting). When she grows up she wants to be brave and kind.
This picture book exudes creativity, both in the story and the illustrations that help tell it—photos of marshmallow-people in various scenarios!
It’s the simple story of “most marshmallows.” The ones who watch TV and celebrate birthdays and go to school and all that stuff most people do too. But it’s also a story of those marshmallows who aren’t like most. Because some marshmallows secretly know that all marshmallows can dream big. And this book tells them to do just that.
(click image(s) to enlarge)
The art is where you really spend your time with this one. The adorable marshmallows. And the vignettes, mostly cut paper, but all sorts of other items that are fun to identify and wonder at.
Most Marshmallows is creative, quirky, unusual, and encouraging. It demonstrates with both text and visuals that most things are done a certain way—books even!—but that some marshmallows dream up ways to do things differently. Daringly. Imaginatively.
Rowboat Watkins’s books often shout craft (as in the one I made for Rude Cakes). In this case, marshmallows? Yes, please.
Rowboat was kind enough to share some tips about how he created those marshmallows. Mainly: let the marshmallows get stale first! That way, they harden and become an easier surface to draw on. He also let us in on the pen he used: a brown Micron 01. I opted for a thin, brown marker instead as I found it a little easier to maneuver and plus, my marshmallows were only 0ne-week stale. Little hands might find a marker easier as well.
What you’ll need:
Stale marshmallows (I used jumbo)
A marker or pen (I used these from IKEA in brown, but I’m sure there are many that would work)
That’s it! But you can also use construction paper, tape, and markers to whip up party hats if you would like.
I left my marshmallows out on a plate for about a week. Then, I was ready. I simply drew on each one, trying to get them at least somewhat like the book version. Then, I cut some circles from construction paper and rolled and taped them into party hats.
The first thing you’ll notice about this picture book is that wallpaper from the title. Beautiful, Layered. Nostalgic. Full of wonder. It’s at the heart of this mostly wordless story and contains a whole world that imagination makes possible. A world in which a shy girl gains just the courage she needs through her own creativity and resourcefulness.
We’re introduced to a character who’s just moved to a new house and is unpacking her room. Outside her window, there’s a treehouse with other kids in it. They wave. They’re friendly. But waving back is not so easy when you feel out of place or out of sorts. Shy or scared or sad.
(click image(s) to enlarge)
Crouching—hidden—below the window, the character peels back some wallpaper, releasing a flock of lemon-yellow birds! (And they just so happen to match her shirt.)
She peels back more wallpaper and follows the birds into a whole world of wallpaper, including a creature who is super scary, but who, it turns out, is actually not scary all. The creature is merely unfamiliar. The creature wants to be friends.
The character and creature frolic in fields and play with clouds, all provided by this magical wallpaper. And when she’s back in her room, alone again, the wallpaper isn’t just one pattern anymore. It’s been peeled to reveal all the layers she’s experienced,.
Those layers help her remember that she doesn’t have to be so scared, or that she can be scared and still experience new things. They help her remember that unfamiliar might not be ominous after all. And that by peeling back a layer or two, everyone wants to be seen, welcomed and, accepted. Just like her.
And that leads to hello, and to more possibility.
This is an original, artful, hopeful picture book that invites the reader to dive into paper creations and possibility and what it means to reach out to someone unfamiliar and turn them into a friend.
Such beautiful papers and such a spirited creature can only mean one thing. Paper craft! I wanted to make that creature and I wanted to make sure the creature could move. Really, you could make all kinds of paper stuff from this book! I chose the creature and yellow birds and used brads so they could change position.
What you’ll need:
Sturdy white paper (I used watercolor paper)
Pastels or crayons or markers (I used pastels for the creature, marker for the birds)
I started by tracing the creature on a thin sheet of computer paper. Then, with my watercolor paper behind that, I pressed firmly with pencil to leave an indentation I could then trace on the actual paper I wanted to use. Or you can draw the creature free hand! I did the body, arms, and legs as separate pieces, then cut them out. Be sure to leave the pencil lines and make some white space outside the pencil lines to mimic Thao Lam’s style.
Next, I colored in the creature! And after that, I attached the limbs with metal brads. You can poke holes by either pressing the scissor ends into the paper or folding a bit and making a tiny cut. It’s that simple! Now you have a creature you can move about!
And it’s the same process for the birds if you choose to make those, and there are many shapes that would be fun to draw, cut out, and color from the book. The sky’s the limit!
And check out this gif of the creature moving around!