Category Archives: PICTURE BOOKS +
I’m thrilled to have Alia from Read it Real Good here to share picture book gems she recommends as a librarian, former bookseller, and blogger! You can learn more about her here and check out her list of resources on diverse children’s literature from her blog as well. Get ready to go to the bookstore or have your library card ready because she’s sharing some of her favorite recent and backlist picture books with us!
Over to Alia!
Black Girl Magic by Mahogany L. Browne/Jess X. Snow
This illustrated poem begins with “This book is for you.” And yes it is. It is unabashedly black, young and full of truth and positive affirmations for young black women. Perfect for ages 7 – tween, Black Girl Magic is raw and honest. Snow’s illustrations beautifully accompany Browne’s powerful poetry. Yes, black girls, you are magic. You are strong and let NO ONE tell you any different.
Where’s Halmoni? by Julie Kim
It’s hard to believe that this is Julie Kim’s debut picture book. Well, it’s more of a picture book/graphic novel hybrid. Korean-American kids Joon and his Noona (big sister) visit their grandmother’s house to find that she’s gone, the house is a mess and huge cat-prints are everywhere! >_< Kim takes readers on a journey to a land of trickster rabbits, hungry goblins and angry tigers.
El Primer Corte de Mesita de Furqan – Furqan’s First Flat Top by Robert Liu-Trujillo & translated by Cinthya Muñoz
Ten year old Furqan takes a trip to the barbershop for his first cut. He wants to try a new flat top for his thick, curly hair, but he’s a little scared of change. His dad lovingly reassures him that his hair is gonna come out fresh, no matter what. We get a peek into Furqan’s daily life. This bilingual story features loving parents and a supportive community. Liu-Trujillo’s watercolor & ink illustrations portray so much joy and love.
Up! How Families Around the World Carry Their Little Ones by Susan Hughes/Ashley Barron
I love picture books that use non-traditional mediums like paper, cloth, string, etc. Barron’s illustrations for Up! are gorgeous and unique. They invite you to stare at them for long moments. We learn a bit about how different people around the world carry & transport their little ones. I love the inclusiveness of the illustrations and the bouncy rhythm of the text.
All Around Us by Xelena González/Adriana M. Garcia
It’s special whenever our elders share knowledge with us; it’s something not to be taken for granted. All Around Us is about a little girl and the lessons she learns from her grandfather. They have such a beautiful relationship! He teaches her about circles, continuity and how people are a part of the earth. The illustrations are so beautifully TRIPPY. I appreciate how this book celebrates family, indigeneity and tradition.
We Are Brothers by Yves Nadon/Jean Claverie
Black brotherly love. Strength. Growing up. This quiet picture book explores the relationship between two brothers and how love, support and encouragement are so important. Climbing up and jumping off the top of a cliff into a lake sure is scary but…you’ll never know how much fun it is until you try. I love the soft illustrations in this book and the scenes of transformation.
Where Do We Go When We Disappear? by Isabel Minhós Martins/Madalena Matoso
This is a reflective and thought-provoking picture book about death, loss, or the simple act of someone/something being gone. When I was a bookseller, it was hard to find good books to give to parents to help their kids grieve. This is a great one because it helps begin a discussion about CHANGE. Matoso’s illustrations are bold and colorful and Martins is such a thoughtful writer.
Sidewalk Flowers by JonArno Lawson/Sydney Smith
A young girl and her father take a walk through their neighborhood. Though he’s on his phone for most of the journey, he is present. He is there. She’s on a mission to find flowers and share them as gifts. Smith’s use of color is exquisite in this wordless picture book. We see color when we need to. We watch it bloom. We watch their love as they walk together.
Ten Nine Eight by Molly Bang
Wow, what a throwback this one is. I remember it from my childhood. Can I tell you how special it is to see a little black girl sitting with her daddy, eyes sleepy, getting ready for bed? With its soft, warm illustrations, this book reminds me of the love I shared with my father. Ten, Nine, Eight is a counting book that also celebrates Black Family. It’s also available as a board book! How perfect. 🙂
Alia Jones is a Sr. Library Services Assistant with The Public Library of Cincinnati and Hamilton County. She is also a former indie children’s bookseller and English teacher in South Korea. She blogs about diverse books & children’s literature at www.readitrealgood.com. You can also follow her on Twitter @readitrealgood. Alia believes that we are truly in a Picture Book Renaissance; there is so much talent out there.
Because my middle grade novel, Zinnia and the Bees, features a main character who’s a knitter and yarn bomber, I always notice picture books with knitting and yarn (and have great admiration for knitters and crocheters in real life!). So, since I’ve got yarn on the brain, I thought it would be fun to round up a bunch of great picture books featuring yarn and knitting—perfectly cozy reads for winter and good fits for crafters of all kinds.
Plus, because knitting a gift for someone is often a sign of love and friendship, many of these are perfect for Valentine’s Day too. As you’ll see, knitting is often synonymous in story with showing kindness and the connections characters make.
Penguin and Pinecone by Salina Yoon (2012).
One of the sweetest books ever with a scarf-wearing penguin who finds a pinecone, knits it a scarf, and then finds its new friend’s proper home.
Knit Together by Angela Dominguez (2015).
A story of a mother and daughter, one who knits, one who draws, and how they combine talents in an artistic collaboration that connects them—so sweet!
Archie Snufflekins Oliver Valentine Cupcake Tiberius by Katie Harnett (2016).
I adore all the humans in this book, and the way the community comes together over this neighborhood cat. And I adore Mrs. Murray, who knits, and who shares a kinship with Archie Snufflekins Oliver Valentine Cupcake Tiberius that is meant to be.
Last Stop on Market Street, words by Matt De LA Peña, pictures by Christian Robinson (2015).
This wonderful book’s beating heart is Nana and a bus ride she takes with her grandson. Nana demonstrates generosity to CJ, as well as the ability to see beauty. Also, she spends part of the bus ride with needles and yarn.
Bertolt by Jaques Golstyn (2017).
The way knitting figures into this one at the close is kind of a surprise, so I’ll leave it at that. (Hint: yarn bombing!)
A Hat for Mrs. Goldman by Michelle Edwards and G. Brian Karas (2016).
A girl who wants to do a kindness for the kindest person (and knitter) she knows. A super sweet story, plus pom poms!
Extra Yarn by Mac Barnett, illustrated by Jon Klassen (2012)
A knitter-yarn bomber is at the center of this fairy-tale-esque book with a surprise ending. If you like the idea of covering anything and everything with colorful yarn and a bit of magic, you’ll like this book.
Red Knit Cap Girl by Naoko Stoop (2012).
The main character here doesn’t knit, but is known for her signature knit cap as her name. It’s a quiet, meditative quest story of looking to connect with others and the moon.
Edmund Unravels by Andrew Kolb (2015).
This one stars an actual bundle of yarn (and joy) who longs to explore. The only thing is, exploring can mean needing to return home in order to feel whole again.
Made by Raffi by Craig Pomranza and Margaeet Chamberlain (2014).
A creative main character discovers knitting and eventually completes a fantastic project for the school play. A positive portrayal of being yourself and pursuing your passions.
Leave Me Alone by Vera Brosgol (2016).
The wildly unexpected story of someone who wants to knit sweaters in peace, and is wiling to go as far away as possible to find it.
Sebastian and the Balloon by Philip C. Stead (2014).
Sebastian, in a balloon made of quilts and blankets, goes on an adventure to avoid boredom in this story of encounters and twists and turns. And, of course, three knitting sisters!
Cat Knit by Jacob Grant (2016).
Cat is good friends with Yarn, but not so sure about that when Yarn becomes Sweater.
The Story Blanket by Ferida Wolff and Harriet May Savitz, illustrated by Elena Odriozola (2008).
A story about story, and kindness—the story blanket is a precious place, but is soon needed for its yarn in order to give warm gifts to the community.
Squid and Octopus: Friends for Always by Tao Nyeu (2012).
A set of four stories about sea creature friends, one of whom—Squid—is a knitter. Complete with socks, mittens, tea, and cake, this one delights! Author-illustrator Tao Nyeu even came up with a knitting pattern to go along with the book!
Three Balls of Wool by Henriqueta Cristina and Yarn Kono (2017).
A family must flee their home country and the new place they live feels bleak and uniform—people wear sweaters in only one of three solid colors. A resourceful mother unravels the sweaters in order to make new sweaters, patterned ones that express joy and individuality, and she starts a kind of revolution come spring. This is “…based on the story of a Portuguese family that fled the dictatorship in the late 1960s and lived in exile in Algeria, Romania, and finally Czechoslovakia.”
Please add any titles I missed to the comments!
The Diamond and the Boy: The Creation of Diamonds and the Life of H. Tracy Hall written by Hannah Holt, illustrated by Jay Fleck, will be out October 2nd, 2018, and today we’re sharing the cover with you!
“The Diamond & The Boy is a two-tale picture book—a side-by-side telling of the story of natural diamond creation and the life of inventor Tracy Hall [who invented a machine to create human-made diamonds for manufacturing]. This book shows how journeys can triumph over beginnings and how one person can rock the world.”
Yes, this is the biography of the person who invented lab-created diamonds, the kind first used for industrial cutting uses. It’s simultaneously the biography of a natural diamond and its formation.
Told inventively and lyrically, each page is split into two sides, one about the boy, and one about the diamond. Their sections parallel in that they both start with the same word or phrase, and they continue to mirror one another thematically in how both the graphite and the boy experience “heat,” “pressure,” “waiting,” and other concepts in different ways as their journeys progress, together. You’ll just have to read it to see how stunning and smart it is!
There’s also back matter with not only more about Tracy Hall‘s life, but about the history of lab-made diamonds as well as natural diamonds including, briefly, the colonization and conflict surrounding them, which is important to be informed of in any discussion of those precious rocks.
And Hannah’s going to tell us a little more about it!
But first, here’s the cover! I love the bold, graphic illustration and the emanating quality of those shining lines. Plus, the pencils in the boy’s pocket—an essential for an inventor!
This Picture Book Life: What is your particular connection to the subject matter of THE DIAMOND AND THE BOY?
Hannah Holt: The boy in this story, Tracy Hall, is my grandfather. I first heard his story as a small child in my mother’s arms. Whenever I visited Grandpa Hall’s home, I loved looking at the models of diamond presses. This story has been beating in my heart for as long as I can remember.
TPBL: Please tell us about your reaction to seeing the cover for the first time, and the illustrations throughout. What’s a detail that surprised or delighted you to see?
HH: When I first saw the cover, my heart just sang. The bold lines, the way the colors popped—I loved everything about it.
Seeing this story illustrated was an amazing experience. Jay’s work is stunning. In addition to the beauty of the work, I was delighted to see he had illustrated some of Tracy’s childhood inventions and made them scientifically accurate. An attentive visual reader could possibly recreate them as DIY projects!
TPBL: What was the process of deciding to tell the story by way of parallels—the diamond’s journey and the boy’s side by side?
HH: A couple of years ago, I received a particularly lengthy rejection letter. It went above and beyond listing the deficiencies of my work and launched right into my obvious personal flaws as well.
A few days later, I stood in the children’s section at Powell’s Books when the words of this rejection letter started ringing in my head. I thought, “What am I doing? I’m a nobody. What could I possibly add to all this?”
At that moment, it felt like all the air was being sucked out of the room, and I had to sit in one of the children’s chairs. After I finally caught my breath, I left the store and decided to leave writing, too.
For the next month, I didn’t write a thing. Instead, I did a lot of soul searching. In the end, I came to the following conclusions:
1.) I liked writing and missed it.
2.) I couldn’t control whether or not anyone else liked my writing.
3.) I could improve my craft.
4.) I could become smarter about how and where I submitted my work.
This story, THE DIAMOND AND THE BOY, was one of the first stories I revised after my writing break. Previously, I had tried writing the story about Tracy’s cleverness or rocks that sparkle, but those ideas no longer seemed important.
Instead, I saw the need for…resilience.
Graphite needed to become resilient…
Tracy had to become resilient…
And I needed to get over myself, too, if I wanted to write this story well. So I threw out all my old drafts and started from scratch. Writing a story in parallel about change and resilience seemed natural because it was the journey I was on myself.
I set a goal that year to get 100 rejections. I didn’t make that goal. However, that’s only because I signed with my fabulous agent first, and we had the good fortune to start selling books shortly thereafter. Embracing rejection led me to so much more success than resisting it. This story—this experience—fundamentally changed how I view challenges.
TPBL: I’ve read the manuscript and those side-by-side spreads are like beautiful poetry. Will you describe the process of pairing non-fiction subject matter with poetic text and how that developed?
HH: I’ve always liked poetry and playing with words, but Jacqueline Woodson’s Brown Girl Dreaming had the biggest influence on this revision. Her lyrical narrative, purposeful line breaks, and masterful storytelling inspired me to push my own writing further.
Initially I wrote one stanza of rock, and then one stanza of Tracy. Rock, Tracy, Rock, Tracy… I didn’t map it out ahead of time. They lined up naturally. Of course, I had to do many revisions—tightening the language, refining the storyline, and making sure I had enough page breaks—but my first side-by-side draft flowed easily.
TPBL: What’s something fascinating you learned while researching this book?
HH: Oh, so many fun little things! I learned new scientific tidbits, like you need as much pressure to make diamonds as a hippo balancing on the head of a pin.
But for me the most fun was getting to know my grandfather better. For example, I learned he was once smitten with a girl named Catherine. Catherine is not my grandmother’s name.It was also interesting to read about the poverty he experienced in his matter-of-fact terms. Like, he joined the ROTC so he would have something free to wear. Two meals a day was enough to survive. Underwear was mostly optional clothing.
Reading about his life in his own words, before he became “Tracy Hall the famous scientist” was one of my favorite experiences. I would encourage children and teens to keep a journal. Someday the present will be the past, and personal histories are a way to keep time ever-fresh.
Big thanks to Hannah, for sharing about her writing process and the book with us, and to Balzer & Bray for the cover image!
Princess Hair by Sharee Miller (2017) is, like its cover, delightful. It’s exuberant! Kirkus calls it: “An all-out celebration of black hair…” Indeed, this picture book celebrates African American girls, and their hair, portraying princesses doing all kinds of tasks, from solving math problems to baking to dancing. It’s a joy to behold.
“All princesses wear crowns, but underneath their crowns, not all princesses have the same hair.”
Author-illustrator Sharee Miller was kind of enough to answer some questions about her debut picture book. Check out our interview below!
(click image(s) to enlarge)
PRINCESS HAIR is a delight, starting with the playful, colorful cover and all the way through. Thank you so much for speaking with This Picture Book Life about it!
This Picture Book Life: Will you tell us the story of how Princess Hair came to be? What sparked the idea and how did you develop it?
Sharee Miller: I created Princess Hair because growing up I had barely seen any princesses that looked like me and I had never seen any that had hair like mine. I knew how it felt to not be represented, and I wanted to create Princess Hair for my younger self and other girls who deserved to see themselves in the books they read.
I felt no one else could represent black hair in all its diversity as I saw it. Our hair isn’t just an afro; it’s braids and dreadlocks and blowouts. I wanted to show a variety of princesses with different hair textures and different skin tones so I could represent as many black girls as possible. We are often portrayed in one way and we all have to identify with this generic black girl, but we are all so unique and I wanted to celebrate those differences.
I initially self published Princess Hair and sold it through Amazon as well as at festivals and events. Eventually, I was able to get my book in the hands of publishers at Little, Brown Books for Young Readers thanks to my agent, Monica Odom. With their help, I have been able to make Princess Hair into a fully realized book available to children all around the world!
TPBL: What were some of your favorite books as a child?
Sharee Miller: I spent most of my free time growing up in my school library. I loved reading picture books and comic books and acting out the stories. My favorite was Cinderella. I have read and seen so many variations on her story, but I always come back to it. Though others tried to hold her back, she was able to overcome her struggles with positivity and of course a little bit of magic. Sure it is a little dated that her goal was to go to a ball to meet a prince, but I am sure today Cinderella would be aiming higher with the help of her fairy godmother.
TPBL: My favorite spread is “And princesses with FROHAWKS rock!” I think it embodies the exuberance of the book. Will you tell us about creating that page, both the text and accompanying illustration? How did you decide that while portraying princesses with different kinds of hair on each page, you would also portray different activities, especially those not historically associated with the princess role?
Sharee Miller: I wanted girls to be able to see themselves in the book so I made sure to show the princesses doing relatable and fun things. I thought back to activities I liked to do like jumping on the bed and baking and of course drawing. I wanted to think outside of the rigid boundaries we have for princesses. When you think about it they are just girls in crowns and what girl doesn’t want to rock?
TPBL: You’ve created a wonderful affirmation of one’s hair and one’s self throughout the story. What’s been the most gratifying part of the journey for you? Is there one interaction with kid readers or their parents in particular that sticks out to you as you’ve shared it in bookstore or school settings?
Sharee Miller: I get so much joy seeing little girls point out which princess they are in my books. When I see them connect with it like I hoped, it makes me proud. But the most gratifying experiences are when I speak to women who are my age or older who either bought my book for a child or for themselves. They echo my feelings of there not being books like this when we were growing up and how my book would have meant a lot to them as children. I wrote this book for childhood me who didn’t see the beauty in her hair, and I am glad the next generation can have it to help instill them with self-confidence and pride.
TPBL: What are you working on next?
Sharee Miller: I just completed the art for my second book Don’t Touch My Hair!, which is coming out next November. I am now brainstorming new ideas for my third!
Thanks so much for speaking with me, Sharee! And big thanks to Little, Brown for images, and for the review copy!
Sharee Miller has a BFA in communication design from Pratt Institute. She lives in Brooklyn, where she enjoys spending time with her two cats, illustrating fun stories, and playing with her princess hair. Sharee invites you to visit her website www.shareemiller.com and her Instagram @coilyandcute.