Tag Archives: trisha krauss
Trisha Krauss is an illustrator who began her career in New York City. She now lives in London where she illustrated her first book for Puffin, Maude the Not-So-Noticeable Shrimpton by Lauren Child. This year she wrote and illustrated Charlotte’s Very Own Dress for Random House USA, which will be published in Autumn of 2016. She is currently working on ideas for two more books.
Three books that influenced Trisha Krauss:
1. The Lonely Doll by Dare Wright
One of my favourite books as a child was The Lonely Doll by Dare Wright. When I reread it as an adult I was equally smitten. The pictures throughout the book are black and white photographs and they feature three very unsuspecting characters. Edith is a doll who pines for company until Mr. Bear and Little Bear come to her rescue. Her soft felt features serve almost as a blank canvas in which the author tells this rather melancholic and beautifully timed tale. The mystery and glamour of the settings breath air into this Lenci doll and make her an unforgettable and slightly naughty character. The image of Edith holding Little Bear’s hand while facing Brooklyn Bridge in the fog is breathtakingly poignant. Who would have known that this little doll could still conjure up so much feeling in the heart of this grown up girl?
2. Lyle, Lyle Crocodile by Bernard Waber
If I could have married Lyle, Lyle Crocodile I would have. He has all the qualities that I love in a person. Above all he is fun and good-hearted. Unfortunately he is a crocodile, a fictional character at that, and I am already married. I love him for life regardless. Lyle has no idea that he is different, largely because the Primm family on East 88th Street treat him like part of the family. He cannot for the life of him understand why Loretta, the neighbour’s cat, takes issue with the mere sight of him and desperately tries to win her over. The story takes you from a brownstone in New York to the park and various places in the city. Ultimately Lyle goes to a big department store with Mrs. Primm, handbag tucked under her arm, and a series of wonderfully silly events take place. The beautiful, inky illustrations in this book gave me my first love for a crocodile and for New York City. Thank you Mr. Waber for Lyle, Lyle Crocodile.
3. Wild by Emily Hughes
I could list another 10 books that my mother read to me as my all time favourites but this book, Wild, has stopped me in my tracks. It is simply splendid. The illustrations have a sweeping Mary Blair inspired magnificence to them. There is also a retro Golden Book feel to the wild animals illustrated on uncoated paper with an ink-saturated paper smell. As an illustrator, I am in awe of the artistry of the illustrations. As an author, I am impressed with the simple text backed up by beautifully rendered art. The main character is unnamed in the book and she has crazy, expressive, enormous eyes. There are twigs and dried leaves in her tangled hair and she is naked throughout the book until “They” try to tame her. Emily Hughes found her character and went wild with her. And she is right, “You cannot tame something so happily wild”…
You may be interested in my post on Maude, The Not-So-Noticeable Shrimpton, illustrated by Trisha Krauss. It’s a favorite from the archives!
Oh this book! And oh those Shrimptons!
“The Shrimptons hated to be missed.” But in the very first glimpse we get of the family, one member is tucked behind, blending in. Maude. Maude Shrimpton.
Mrs. Shrimpton had her flamboyant hats, Mr. Shrimpton his twirly mustache. Penelope was beautiful, Hector was a fabulous tap dancer. Constance was a singer, and Wardo was quite the comedian. Maude, she was not so noticeable.
Which makes it so fun to try and find her on every page! (See her there, peeking out from her dress-matching curtains?)
“No matter what she wore, Maude just seemed to merge, to fade, to disappear.”
This book has such style. Even (especially?) Maude, that blender-inner. Which in a funny, quirky turn is sometimes a very good trait. (Hint: when a tiger is looking for dinner in your house.)
Here’s a little peek at the illustrator’s mood board for the project, full of fashion and flair:
Thanks to Trisha Krauss for the images!
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There’s something cinematic about this book and might I suggest a bit Wes Andersonesque.
Maude and the Shrimptons are so perfectly stylized, like Anderson’s films (which are fairly bookish themselves). As a family, they’re so wacky and flamboyant, as Anderson’s fictional families are. Plus, the impeccably executed settings. The straight-at-you gazes of the characters. And oh the costumes, of course!
From Moonrise Kingdom.
From The Royal Tenenbaums.
From Fantastic Mr. Fox.
But now let’s get to BLENDING IN. And we’ll start with the well-known wallpaper/shirt scene from Garden State.
From the film, Garden State.
From the film, Marie Antoinette. That dress fabric appears to be cut from the same cloth as the wallpaper, right?
From twenty-seven names, photographs by Guy Coombs.
The next batch are really tricky to see. Exquisite camouflage.
From artist Cecilia Parades’s painting series.