Tag Archives: julie morstad

my 10 favorite contemporary classic picture books

picturebooklifeHeather from Tiny Readers asked me for my 10 favorite picture books (and created that cool image), so here goes! She’s going to feature this on her super inspiring instagram feed, which I hope you’ll check out and follow!

It was a (fun!) doozy choosing! I agonized for days over my choices. I had to narrow it down, so these are all published in the last 15 years. (Stay tuned for a classics edition!)

They are books I have a strong emotional reaction to. They are extraordinary in one way or another (or several all at once). They reflect my own personal tastes and obsessions, but they also feel to me like contemporary classics. They are books that have beauty as well as meaning and heart. They are books that will last and are rich when returned to.

Here goes in no particular order (with apologies to all the wonderful and dear-to-me books I’ve left out):

the-red-treeThe Red Tree by Shaun Tan is one of my biggest influences as a writer and Tan is my very favorite creator of the form. This picture book moves me deeply each time I read it. It’s for anyone who feels like they’ve lost their way. It is sad and strange and inventive and full of hope.

 

 

 

 

 

 

 

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Virginia Wolf by Kyo Maclear and Isabelle Arsenault combines the real sisters Virginia and Vanessa with an imagined case of the doldrums and the wolfish mood it can (don’t we know it!) create. It’s through art, through a whimsical place Vanessa envisions called Bloomsbury that turns Virginia from wolf to girl, from gloom to glad again. Plus, Isabelle Arsenault.

 

 

 

 

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Lost and Found by Oliver Jeffers is most certainly a contemporary classic. And for good reason! Jeffers has been incredibly influential to current picture book fare. And this, one of his first, has so much charm and playfulness and an irresistible duo on that umbrella-boat.

 

 

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Josephine by Patricia Hruby Powell, pictures by Christian Robinson. This is a picture book for the older set about the tough, inspiring, dazzling life of Josephine Baker. It lengthens traditional picture book form in order to tell a fuller story from start to finish and has colorful, vibrant, practically move-on-the-page illustrations to make you really stop and look.

 

 

 

 

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Extra Yarn by Mac Barnett, illustrated by Jon Klassen is by two creators/collaborators at the top of their game. I love the illustrations, the sweaters, the whimsy, the knitter at the center of this fairy tale. But what I love most is the surprise twist and the ending. Oh yes.

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Jemmy Button by Jennifer Uman & Valerio Vidali is exquisitely illustrated. It’s based on the true and troubling account of Europeans in the 1800s trying to “civilize” someone who had his own civilization he preferred to return to.

 

 

 

 

 

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The Tree House by Marije Tolman and Ronald Tolman (a father and daughter) is breathtaking and original. It shows off what a wordless picture book can do. It’s about companionship: the wild huzzahs of a party with flamingoes and the calm, content days spent reading in one another’s company.

 

 

 

 

 

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Happy Birthday, Madame Chapeau by Andrea Beaty, pictures by David Roberts is another incredible collaboration. Wonderful, fun-loving, masterful rhyme. Rich visual details. So much stuff to notice. And at its heart, a talented, solitary woman with a lot of hats and heart to share.

 

 

 

 

 

 

 

 

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The Lion and the Bird is by Marianne Dubuc, extraordinary author/illustrator. And the pair of characters she’s created is endearing and enduring, the friendship they’ve found as rare as the beauty of this spare and perfectly crafted book. Just look at their matching pink cheeks!

 

 

 

 

 

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Finally, Swan by Laurel Snyder, illustrated by Julie Morstad, a very recent pick. Julie Morstad has illustrated many very special picture books (This is Sadie, How To) and this one is so gorgeous as to make me weep. Same goes for Snyder’s poetic text that so beautifully conveys the yearning, the passion, the calling of dance and doesn’t shy away from that final scene.

 

 

 

 

 

 

 

Thanks for the opportunity to highlight some of my very favorite books, Heather! Here’s some more about Heather and Tiny Readers:

Heather Hawkins is a Dallas-based photographer, mother of two and a children’s book enthusiast. Recently she started a project called Tiny Readers which aims to share children’s book reviews as well as feature contributing opinions from other parents, in order to bring awareness to childhood literacy and the benefits of reading. You can check out Tiny Readers on instagram here!

 

 

this is sadie + interview with sara o’leary + fox masks

sadie coverThis is Sadie by Sara O’Leary and Julie Morstad (out May 12th!).

 

This picture book is about a girl and her imagination. She’s a reader, of course. But a maker, too. She’s a child being a child, during those magical times in a secure childhood when there is little expected of you but to use your imagination.

It’s wondrous in story and concept and artwork. I already know it will be one of my favorites from 2015 and a book to cherish always.

I was lucky enough to ask Sara O’Leary, one of my favorite authors and people, questions about writing the book. And she answered them!

 

(You know I’m a fan because I posted about When I Was Small my very first month of this blog!)

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(click image(s) to enlarge)

 

See those first lines? Those are some of my favorite first lines of a picture book EVER.

This Picture Book Life: Can you tell me about those first lines? Was that the original start of the book?

Sara O’Leary: I wasn’t really conscious of this until you asked this question, but no, those first lines weren’t in the opening of the first draft. And as I go through line-by-line I see that nothing of that first draft survived verbatim into the words now on the page!

When I started working with Tara on revising the manuscript she got me to go through and make myself a dummy copy with illustrations. And to be honest, I’d never done this before even though it was something I’d counselled students to do. And when I went through that process it helped me to start thinking of the story visually and I arrived at the idea that I wanted the story to open out from Sadie rather than opening with her. And then I thought of the way kids play with boxes. My own son when he was small would play Jack-in-the-Box for what seemed like hours at a stretch.

And so that’s how we got to the box on the first page. But once we agreed on that idea of Sadie being concealed to begin with, it ended up influencing the choices we made when it came to the cover. And that’s how Sadie ended up wearing her little fox mask–which I now love.

 

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Notice that fox stuffed animal? He pops up again and again. I really like that fox.

 

TPBL: Was the fox your idea or did Julie Morstad add in the fox on her own?

Sara O’Leary: There was a fox in the first draft of the story–a line about how when she grew up Sadie might get married and how she might marry a fox or a tin soldier but that she was in no hurry. And then the idea of her little fox family came in later. And then once Julie had added that into Sadie’s imaginative world I found that we didn’t need the line of text anymore. That happened a few times.

My favourite joke in the whole book is when the text says that Sadie is quiet in the mornings because old people need a lot of sleep and then we see Sadie merrily hammering away. My second favourite is when she “tidies her room” and we see everything madly stuffed underneath her bed. That sort of friction between the text and image pleases me inordinately.

It’s very strange because this is my fourth book with the fabulous Julie Morstad but it’s the first that really and truly feels like a collaboration rather than a co-creation. It’s partly a product of working with Tara Walker who is an absolute genius of a picture book editor–an Ursula Nordstrom for our times. It’s also partly a product of knowing Julie and her work so well that I was kind of writing the book for her this time and imagining it as a way of showcasing just what she can do.

 

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“For me it started with the idea of her as a small girl

with a big imagination.”

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A shout out to Julie Morstad here. This illustration stops me in my tracks. Luminous.

TPBL: What elements did Julie include that delighted or surprised you? What is your favorite illustration?

Sara O’Leary: There’s not a single illustration in this book I don’t love. My very favourites though are the picture book spreads–the entry of this new character into narratives that were part of my own childhood. It’s almost like stepping through the looking glass yourself. And for sheer beauty I love the fairy tale spread more than any other spread not just in this book but maybe in any book in existence. I love how brave and fierce and yet serene Sadie looks. When I was a kid my favourite poem was Isabel, Isabel by Ogden Nash and I see that in this image too. That little girl who bravely ate the bear up.

 

 

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TPBL: Tell us a little bit about you as a child.

Sara O’Leary: I was very spoiled as a child in the sense that for my first five years I was an only child and my mother always had paints and clay and books and blocks and things for me to busy myself with–so that being a child who likes to “make and do and be” is very familiar to me. I was also, judging by the snapshots, a boy for about fifty per cent of my existence and so I like to think that like Sadie I could as easily imagine myself into being Mowgli as the Little Mermaid. And I kind of think it must be the same for Julie. The Alice in Wonderland spread came back to me and I was both pleased and amazed to realise that rather than placing Sadie in the role of Alice she had chosen to portray her as the Mad Hatter. It’s perfect!

 

sadie wonderland

Sadie is such a composite at this point that I find it hard to claim that she is really like me. She is but she is also like my kids, and like Julie and her kids, and also, I think, like our editor (and third collaborator) Tara Walker. I hope that she’s very easy to project yourself into–a bit like Sendak’s Max. A friend read the book and said: “Oh, you wrote this book just for me!” and really that’s about the best compliment you could hope for. Sadie’s pretty much childhood and imagination embodied for me.

 

Thanks to Sara for being so generous and talking with me about this magical book!

 

And to the wonderful people at Tundra Books for images!

 

 

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FOX MASKS!

 

This is Sadie‘s own activity kit includes a printable fox mask like the one Sadie wears on the cover!

And ever creative Kellie who made a peg doll in honor of Viva Frida has made one for Sadie over on her site! And Sadie’s wearing the fox mask! Here are some more:

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Check out this super sweet paper plate fox mask too from mom.me.

 

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You can go a step further with this felt DIY version from Fercute.

 

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And I adore this paper maché mask from Ambeau!

 

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Here’s another printable from Little Gatherer with a unique design.

 

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Finally, this one’s for sale at KissMeGo.

 

 

 

With Sara O’Leary’s generosity, I’m giving away two This Is Sadie book jacket/posters over on twitter! (It features Sara (and my!) favorite spread from the book.) Come find me there and enter to win one! 

 

 

 

julia, child picture book + chocolate almond cupcakes by coco cake land


Julia, Child-2Julia, Child
: words by Kyo Maclear, pictures by Julie Morstad.

 

Julia is a child. (One who wears roller skates, which I especially admire.)

 

She bears some resemblance to THE Julia Child in her affinity for French cooking and butter, but this picture book is otherwise a fictional tale.

 

 

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click image(s) to enlarge

 

Julia has a best friend named Simca. Together, they are experts in friendship and cooking and childhood.

Those are the themes of this standout book.

 

“When they dreamt of the future,

they always pictured themselves cooking happily together:

the oldest children in the world.”

 

 

 

The girls are pretty clear on how growing up is not to be desired. They’ve seen grownups. They know they’re “wary and worried, hectic and hurried.” Who would want to be like that?

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Morstad’s illustrations show adults as line drawings, unfilled out with color the way the children are. They look like people who’ve lost something along the way.

 

So Julie and Simca prepare a meal to bring out wonder in those big, busy people. Through a wonderful meal that draws people to it with its rainbow-like aroma.

 

“‘The problem,’ said Julia, ‘is that too many grown-ups don’t have the proper ingredients.'”

The dinner has its ups and downs, but dessert is the biggest hit: petits gâteaux—”chocolate almond cupcakes with chocolate butter icing and the richest, creamiest centers.”  Small, tasty bites to remind each adult of loveliness, with plenty to go around so they don’t get too greedy or worry about running out.

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Slow-down, sweetness, wonder, and imagination. These are the ingredients of friendship and cooking and childhood. These are what to cultivate, like Julia and Simca do.

 

 

p.s. Kyo Maclear has a knack for inventing fictitious childhood characters from historical grownup ones. (See Virigina Wolf.)

 

“What I’ve tried to do here is forget the facts

and capture something about Julia Child’s spirit.

And by spirit, I mean her gusto, joyful abundance

and joie de vivre.”

Kyo Maclear

 

Excerpted from Julia, Child by Kyo Maclear. Text copyright © 2014 by Kyo Maclear, Illustrations copyright © 2014 by Julie Morstad. Reprinted by permission of Tundra Books, a division of Random House of Canada, a Penguin Random House company. All rights reserved.

 

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You all know how much I love the baking blog Coco Cake Land, right? In honor of Julia, Child, Lyndsay is sharing chocolate almond cupcakes inspired by the ones Julia and Simca make in the book!!

I’m delighted to collaborate with such a blogging superstar and lovely person! She knows a lot about baking joyfully with plenty of imagination and play!

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CHOCOLATE ALMOND CUPCAKES WITH CHOCOLATE PASTRY CREAM

2 dozen cupcakes

FOR THE CUPCAKES

  • ⅔ cup vegetable oil
  • 1 cup of dutch process cocoa powder
  • ¾ cup boiling water
  • 2 teaspoons pure vanilla extract
  • 1 ½ cups almond meal
  • ½ teaspoon baking soda
  • ½ teaspoon of salt
  • 1 cup granulated sugar
  • 3 large eggs

FOR THE CHOCOLATE PASTRY CREAM

  • 3 egg yolks
  • 4 tablespoons sugar
  • ¾ tablespoon flour
  • ¾ tablespoon cornstarch
  • 1 cup milk
  • 1 cup heavy cream
  • ¾ cup chopped dark chocolate

TOASTED ALMONDS

 

  • ¼ cup toasted almonds, chopped

MAKE THE CUPCAKES

 

Preheat the oven to 325 degrees F. Gently oil the top of the cupcake pans and line cupcake pans with cupcake liners. 

  1. In a medium bowl, whisk cocoa powder with the boiling water until you have a smooth, thick and creamy chocolate paste. Whisk in the vanilla extract.
  2. In another small bowl, combine the almond meal with the baking soda and salt.
  3. Place the sugar, oil and eggs into the bowl of stand mixer with the paddle attachment and beat on high until thick and creamy, about three minutes.
  4. With the mixer on low, add the chocolate mixture until combined.
  5. Add the almond flour mixture until combined, scraping down the sides of the bowl, about one minute.
  6. Using a medium sized ice cream scoop, dole out the cake mixture and fill the cupcake liners just over half full.
  7. Bake for 20 minutes – cupcakes will rise, and fall again.
  8. Let them cool in the pans.

MAKE THE CHOCOLATE PASTRY CREAM

 

  1. In a small bowl, whisk the egg yolks, sugar, flour and cornstarch.
  2. In a saucepan, bring the milk and cream to a low boil.
  3. Whisk half of the milk mixture into the egg yolk mixture, then add the egg/milk mixture back into the saucepan with the rest of the milk.
  4. Cook the pastry cream over medium heat, whisking constantly until thick – about 3-4 minutes.
  5. Remove the pastry cream from the heat and add the chopped chocolate. The chocolate will melt into the hot pastry cream. Whisk to combine.
  6. Transfer to a bowl, cover with plastic wrap and power-chill in the freezer for 30 minutes, or let cool in the fridge for 2 hours to set.
  7. Dollop two tablespoons of chocolate pastry cream into the sunken chocolate almond cupcakes.
  8. Sprinkle with toasted almonds and finish with a fresh berry.

TOAST THE ALMONDS

 

  1. Place almonds on a baking sheet and bake at 350 degrees for ten minutes (watch they don’t burn!) Let cool until crispy, then chop.

 

Thank you, Lyndsay!

Check out the whole post with more photos to admire over at Coco Cake Land!

how to + the art of julie morstad

howto-by-juliemorstadHow To by Julie Morstad is not your typical how to book. It shows how to do the very best things in the most imaginative ways.

Go fast. Go slow. See the wind, feel the breeze, be a mermaid.

 

It’s magical yet completely down to earth. Earthy even. Simple. But sophisticated.  Wise. I think this book embodies children beautifully. They often know how it’s done, right?

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But sometimes kids need reminders too. Especially nowadays. That you feel the breeze by riding a bike, become a mermaid by lounging in the bathtub, wash your face in the rain. Why of course you do.

 

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How To reminds me in theme of Nikki McClure’s prints and in subject and style to Amy Cutler‘s artwork.

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You might remember Julie Morstad’s illustrations from When I Was Small or the other Henry Books by Sara O’Leary. Can I just give a shout out to Simply Read Books for publishing such gems?!

 

 

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I was a fan of Julie Morstad‘s work before I knew it included picture books. So I’ll leave you with these, some of my favorites of her illustrations. Earthy, simple, sophisticated, and magical, don’t you think?

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Stilts

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How to Make a Kite

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“Wing Trim”

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“Gymnasts.”

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when i was small/miniature things are fun

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When I Was Small, written by Sara O’Leary, illustrated by Julie Morstad

Being fascinated with small things starts when we are small. Looking into a patch of grass and imagining a whole world of ants and bugs: a tiny world. The Borrowers were small. The Smurfs. The Oompa-Looompas.  The Lilliputians in Gulliver’s Travels. Hey, My Little Pony and Matchbox Cars too.

For author Sara O’Leary it started with The Friendly Giant, a Canadian television show she watched in childhood. (She’s the author of When I Was Small and two other picture books starring Henry, including When You Were Small).

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image: LP Cover Lover

She says: “The show’s intro features a little model village…the camera pans along to an enormous booth and then up to the giant who invites you into his castles where waiting by the fire are three chairs (made absurdly tiny by the scale of his gigantic hand).”

‘One little chair for one of you, and a bigger chair for two more to curl up in, and for someone who likes to rock, a rocking chair in the middle,’ the giant says to viewers.

“When I started telling stories to my own boys I think part of me harkened back to that feeling I had when I was small–that feeling of wishing to be very small indeed, small enough to curl up in a tiny chair in an imaginary castle and play make-believe.”
-Sara O’Leary

 

 

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In When You Were Small, Henry asks what he was like when he was small. In When I Was Small, still curious, Henry asks his mother what she was like when she was small. It’s not exactly what you’d expect. They weren’t just small back then. They were TINY.  It’s pretty wonderful to imagine yourself or someone else that teeny. So tiny that yarn is jump rope and a single raspberry is a feast.

 

 

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The book (and its companions) with illustrations by uber talented Julie Morstad, is charming and so full of whimsy! It beautifully captures a child’s perspective, imagination, and fantasy. A little one is already so small compared to big things around them. But also big compared to tiny ones. What fun to play with scale!

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Inspired by “The World’s Most Beautiful Miniature Books,” author Sara O’Leary, amazing person that she is, made her own miniature When You Were Small cover. Amazing right?

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And Etsy has a treasure chest full of miniature objects I didn’t imagine existed. But they do!

ONE INCH PENCILS

by L Delaney

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A TINY CROCHETED TIGER

by Su Ami

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LEMON CAKE, OF COURSE

by Dreamland Miniatures

(In honor of one of my favorite authors.)

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A TENNIS RACKET

by Bagus Italy

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A GEOMETRIC IRIDESCENT RAINBOW HOUSE

by 2of2

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AND THE ICING ON THE CAKE!

by Baking in Miniature

 

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image: Robin Mitchell Cranfield book design
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