Tag Archives: illustrator
Thao Lam’s Picture Book Life + giveaway
Thao Lam is one of my favorite makers. Her picture books are inventive, original, resonant, and risk-taking in a way that pops in terms of both style and meaning.
A paper collage artist, the art Lam creates is textured, patterned, and fresh. For some books, it’s colorful and a bit wacky. For The Paper Boat, it’s muted, grounded, and striking, with familiar imagery on captivating backgrounds for dramatic compositions and combinations. Her stories are fresh and oftentimes deeply personal whether about a concept, creativity, or Thao herself in one of my all-time favorite picture books that was jaw-dropping when I first read it and remains a total inspiration for its content and for showing what this special form can become.
The latest: The Line in the Sand (2022)
“The most enjoyable part of bringing this story to life was creating all the little monsters…I intentionally made The Line In The Sand a wordless picture book because misunderstandings are often due to a lack of communication. By not including text, readers are now left to their own interpretation of the situation; will they be right or wrong? Or do they just have a different perspective?”
—Thao Lam from this interview on Owlkids.
The memoir: THAO (2021).
“This one I wrote for me so I could cleanse my head of all the issues with my name that I had dealt with. I’ve been lucky that every time I write a book, it’s also something that somebody else has dealt with or taken an interest in.”
—Thao Lam from this interview with the CBC.
Another true story inventively, movingly told: The Paper Boat: A Refugee Story (2020).
“I was two when my family fled Vietnam, so I have no recollection of our journey across the South China Sea. My mother often tells the story of her mom leaving a bowl of sugar water on the table to trap ants in the house. My mother, then a little girl, would sit there for hours and rescue them. On the night of our escape she got lost in the tall grass. Spotting a trail of ants in the moonlight, she followed them to the river where a boat awaited: the ants my mother rescued as a little girl saved her in return that night. These images of kindness and karma woven by my mother were the only facts I knew about the war and our escape. They helped shape me and guide me through life. This story with the ants and the sugar water became the cornerstone of The Paper Boat.”
—Thao Lam from this interview with Open Book.
The imaginative, magical companion for a new-to-towner: Wallpaper (2018).
“The inspirations for my stories come from taking a walk, on the subway, standing in line at the bank—anywhere where you’re forced to wait that’s when my imagination kind of runs wild. The way the story starts for me is that I get an image in my head and with that image I start asking questions. If I find myself asking a lot of questions about an image, I would start plotting it down. I call it a ‘brain dump.'”
—Thao Lam from this in-studio video with Owlkids.
The goofy one with a fresh perspective for us all: My Cat Looks Like My Dad (2019).
The first one: Skunk on a String (2016).
In honor of this post and Thao Lam’s picture book life, Owlkids is giving away all five of her picture books to one lucky reader! Enter in the rafflecopter below!
Big thanks to Owlkids Books for images and books for our giveway winner! (North America only.)
You might want to check out my WALLPAPER + Paper Creature Craft post if you’re in the mood to make something fun!
Cátia Chien’s Picture Book Life + giveaway
Today it’s illustrator Cátia Chien‘s picture book life here on This Picture Book Life!
When I think of Cátia Chien’s art, I think of textures: fuzzy, confetti-ed, rich, circled, splattered, splashed.
When I think of her art, I also think of these words: dreamy, vivid, beautiful.
Each page of a picture book Cátia Chien has illustrated is a discovery, each one varied in vibrant color and shape and experimentation and emotion. Stick around to see!
The above PBS video featuring Cátia Chien is extraordinary. I remember the impact it had on me a couple of years ago when it first came out. In it, she is honest about her childhood, her life, her experience as an immigrant and feeling like an outsider. She is honest about her process of being an artist and how making art is an act of empathy for her, and for the children she teaches.
“The feeling of actually belonging, it’s self-created. Arriving at the process of creating something from the inside out, it’s really just a validation of existing. It matters that we add to the conversation so that it’s not just one voice that’s being told in picture books.”
She has art and prints for sale at Gallery Nucleus here in Los Angeles.
Now for her picture books, starting with the newest one, forthcoming The Bear and the Moon (out September 29th from Chronicle Books and our giveaway book) as well as some special process photos of The Bear and the Moon Cátia Chien provided for us!
The Bear and the Moon written by Matthew Burgess (September 29, 2020).
This is a story of surprise. Of companionship. Of loss. And the art is fuzzy, rich, dreamy and beautiful.
Balloons are magic for children, and red ones have a literary and film history. And it turns out they’re magic for bears, too. This bear who is alone but curious and up for an adventure.
The red balloon the bear finds becomes not only a novel and wonderful mystery, but a friend. The bear shows the balloon all its haunts and habits, the way you’d tour a friend around too. The balloon is not only real, but feels animate. It’s a thing, yes, but a “wonderful thing! A squishable, huggable thing!”
Just look at those shapes and blended, muted pastel colors!
And here, the technicolor blue, the pops of white stars and constellations, the dreaminess of this evening scene as the bear and balloon sit together.
We all know what happens to balloons though. They don’t last forever. Nothing does, really.
The bear makes a mistake. Mistakes, like things not lasting, are something else universal. We all know what that’s like. The regret that follows. The blame. The despair and the wish that it wouldn’t have happened. That we hadn’t done it. That is the hard part.
I won’t give away the details of the ending of this beautiful, tender, reassuring book, but I will tell you that it’s hopeful. Because like anyone who’s made a mistake or experienced loss, the bear finds encouragement. The bear looks to nature. The bear accepts themself.
And like a red balloon and a full moon, the bear’s memories go around and around and around in an enveloping circle of comfort.
All the colors come together here, an emanating rainbow of everything will be okay.
The Town of Turtle written by Michelle Cuevas (2018).
A lonely turtle has a dream and then builds it, builds a whole town, and by doing so builds a whole community. The text of this book couldn’t be more perfectly paired with Cátia Chien’s absolutely fanciful pencil, acrylic, and paper collage illustrations. The turtle’s shell and then town feel like a planet and there are galaxy elements throughout—stars and dark black space and elemental shapes. The book is a dream that mirror’s turtle’s told-of dream.
Things to Do written by Elaine Magliaro (2017).
A compilation of poems that explore things to do according to your perspective and place—a celebration of moments and nature and soaking up every small experience.
The Sea Serpent and Me written by Dashka Slater (2008).
This one is sweet-sweet-sweet and mirrors what it’s like to find, to love, and to, when the time comes, let go.
A Boy and A Jaguar by Alan Rabinowitz (2014).
This is the autobiography of Alan Rabinowitz, wildlife conservationist, who found that his ability to speak with animals was his special gift.
My Blue is Happy written by Jessica Young (2013).
An exploration of color and feelings and the way two interplay.
Big thanks to Cátia Chien and to Chronicle Books for images of The Bear and the Moon!
Thanks to Chronicle Kids, I’m giving away a copy of the latest picture book Cátia Chien’s illustrated, The Bear and the Moon, words by Matthew Burgess—out September 29th, 2020!
Simply comment below for a chance to win! (U.S. only; ends Friday, September 4th at midnight Pacific.)
julie flett’s picture book life + giveaway!
I’m so delighted to feature Julie Flett here! She is a Cree-Metis artist, illustrator, and author from Canada, creating some of the most beautiful children’s books ever.
Her art is so distinctive—the play of smooth solids and patterns, of muted tones and vibrant accents of color, all with ever present clean lines, bold shapes, and collage. Her projects explore and celebrate Native people and include themes of history, family bonds, culture, and nature. You know when you’re holding one of her books in your hands—her illustrations communicate so much feeling and connection to others and the world around us. Each one truly tells a story.
Wild Berries (2013).
Julie Flett wrote and illustrated this one in which a boy and his grandmother pick blueberries in the woods. This book is filled with small, still, contemplative moments and details as well as bilingual vocabulary from the Cree language. Plus, there’s a recipe for wild blueberry jam at the back.
Little You, written by Richard Van Camp (2013).
A lullaby to a little one, bursting with love and joy.
I’m interested in the everyday experience, in the intimacy of my subject matter. For Little You, I thought a lot about my son as a baby and toddler. The page with the hole in the mother’s sock reads, “Let’s all dance, let’s all sing,” and the image for this page came to me right away. I often played music for my son when he was a baby and we would dance around the kitchen or living room together.
—Julie Flett at 49th Shelf
My Heart Fills With Happiness, written by Monique Gray Smith (2016).
This book fills my heart with happiness and is a wonderful exploration of the connective and special while simple things in life, incorporating elements of Native culture. Beautiful.
As an adult, I attended art school at Concordia University, where my major was studio art. The work I was producing at that time was installation based, painting, sound, and some film work. After graduating, I worked as an advocate and outreach worker in the Downtown Eastside of Vancouver. During that period, my sister, who worked for First Nations publisher Theytus Books, asked me if I’d like to illustrate a book. They were looking for an illustrator for a children’s story and asked me to submit draft drawings. It all happened so quickly that I didn’t have much of a chance to really think about not having experience as an illustrator. I discovered a love for this.
—Julie Flett, in Booklist
We Sang You Home, written by Richard Van Camp (2016).
I want to quote Debbie Reese of “American Indians in Children’s Literature”, a terrific blog and resource, on this wonderful book:
“Just look at the joy and the smile of the child on the cover! That kid is loved, and that’s what I want for Native kids! To feel loved by words, by story, by books. We Sang You Home is a board book that, with very few words on each page, tells a child about how they were wanted, and how they came to be, and how they were, as the title says, sang home where they’d be kissed, and loved, and… where they, too, would sing.”
Her full review here.
My mom was a textile artist. She had a weaving shop when we were growing up, in the 1970s, and later a consignment-clothing store with a focus on vintage clothing from the ’20s and ’30s. I was around textiles a lot as a child. My sister and I used to spin wool for the weaving shop, and I developed a love for patterns, dyes, and materials. I think I approach the collage work similarly to composing a haiku. My collage imagery is often pared down, emphasizing simplicity, intensity, and direct expression. I’m also inspired by painters, filmmakers, and children’s bookmakers from earlier periods. I especially like Ezra Jack Keats, Eric Carle, artist Sonia Delaunay, Inuit print-maker Pitseolak Ashoona, and filmmaker Andrei Tarkovsky, to name a few.
—Julie Flett, in Booklist
When We Were Alone, written by David A. Robertson (2016).
Without mentioning them outright, this book takes on the topic of Canadian residential schools in which Indigenous children were sent away to government facilities in order to assimilate into Canadian/European/English or French-speaking culture. “In all, about 150,000 First Nation, Inuit and Métis children were removed from their communities and forced to attend the schools.” The conditions were terrible, and the children were isolated from their families, cultures, and languages for most or all of the year.
In this story, a child asks her grandmother a series of questions about her daily life and practices—her bright clothes, her long braid, her Cree words that “sounded just like a poem.” The answers illuminate the injustice of her grandmother’s past as well as the way she then and now strives to reclaim her heritage, pride, and self, courageously and poignantly. It’s an eye-opening, sad, and important book that’s perfectly crafted in a way for young readers to engage with.
Here’s an article that includes quotes from Julie Flett about the process of creating When We Were Alone.
We All Count (2014).
Admittedly, I haven’t been able to get a copy of this one to read myself, but wanted to include it because it’s another book Julie Flett has written as well. A counting book that’s gorgeously illustrated and helps kids not only count, but learn the Cree language. Win, win, win.
Good news! Thanks to the generosity of Orca Books and Highwater Press, I’m giving away a pack of four of Julie Flett’s books to one lucky winner! One person will win all four books pictured (My Heart Fills With Happiness; Little You; We Sang You Home; When we Were Alone. Enter through the Rafflecopter below.)
akiko miyakoshi’s picture book life + giveaway
That’s right—today I’m sharing Akiko Miyakoshi’s picture book life! She’s had three picture books published as author-illustrator in English so far, and I’m looking forward to more! Her work is absolutely infused with imagination and her charcoal and pencil drawings allow her to alternate beautifully between spare and substantial, depending on the tone of the moment she’s portraying.
Miyakoshi’s work is infused with stillness, curiosity, connection, comfort, hope, imagination, and a little bit of magic. Her books, for me, quietly captivate and make the world slow down.
The Tea Party in the Woods (2015).
This one feels like a fairy tale without the scary bits. A girl in a red cap, a pie, a grandmother, a bear. When her father forgets the pie he’s bringing to Kikko’s grandmother, Kikko sets off to find him. She thinks she’s following his footsteps, but instead she’s led to an unfamiliar house in the woods. But no scary bits here, remember? The figure in the coat and hat Kikko followed was actually a bear, the house the setting for a wonderful tea party with other forest animals and pie.
Instead of the woods being a place to fear, this story portrays it as a place of wonderful surprises and generous, welcoming spirits.
“You’re never alone in the woods,” Kikko answered, smiling.
While the woods were once empty, full of white space and leafless tress, the animals fill it in a sort of parade. Her use of color is so effective too, little spots of brightness and then that sweet, colorful pie. The illustrations convey the feeling that though the world may seem lonely, it’s full of wonder and community and magic. And the details make it feel truly real.
This book has surprise and joy and fond feelings shared by all kinds of creatures. And, it’s a story that affirms a child’s imagination, something I’m always a fan of and something Akiko Miyakoshi does exceptionally well.
The Storm (2016).
A boy planning a beach day with his family worries the coming storm will cancel his trip. There is fear in this story, fear of weather and fear of having joyful plans disrupted. The black and white drawings add to the ominous feelings of worry. After wishing for a ship to conquer the storm, that night he dreams of one, and he is at the helm. Here too, a child’s imagination is a powerful, palpable thing and the next day, the storm is gone.
“I wish I had a ship with big propellers that would spin stronger winds to drive the storm away.”
Finally, the lift and break and joy of brilliantly light blue skies that match the remaining puddles from the rain, a child’s wish fulfilled telling readers that despite the darkness of worry, there is hope. Despite fear, there is courage.
The Way Home in the Night (2017).
The bunny in this book is walking home with their mother, looking at the windows they pass. Once again, this story captures imagination and wonder so effectively as bunny imagines what each neighbor might be doing inside their home. Bunny pictures these domestic scenes, each rendered simply, yet with so much resonance. We glimpse each character through Bunny’s wonderings, each evening they’re having in that tender, liminal time of night before going to bed.
“But every night, we all go home to bed.”
The yellow glow in this picture book about night is one special thing about it. It’s dark, it’s night, but it’s always comforting, illuminated. Perhaps there is a comfort in imagining others around us even when we can’t see them. If we can envision the experience of others, then we know we are all the same under the same moon in the same dark and glow of evening.
Enter to win one copy of all three of Akiko Miyakoshi’s picture books from Kids Can Press!
Simply comment below!
(Giveaway ends Tuesday, March 20 at midnight PST; North America only.)
Big thanks to Kids Can Press for interior images and the generous giveaway!
You might also be interested in ISOL’s picture book life.
TARO GOMI’S PICTURE BOOK LIFE
Taro Gomi is a Japanese picture book creator whose works have spread across the world and into many languages. He has hundreds of books under his belt.
They’re distinguished by his one-of-a-kind visual and verbal style that makes for colorful, playful books.
More like games sometimes than books, Gomi invites us to engage with patterns and things out of place, questions and mind tricks. Gomi’s books are simple and smart and so much fun!!
Some of my favorites?
My Friends/Mis Amigos (1989;2006).
A girl learns things from what’s around her: animals, books, teachers, and friends. It has a bit of an I Can Fly quality and a super sweet ending.
Spring is Here (1989;1999).
This one features all the seasons with that calf as star and has a wonderful zooming in and out quality.
Everyone Poops (1977;1993).
While everyone poops, not everybody loves this book. But I do.
Here’s Gomi’s insight into its origin:
“…I got [to the zoo] before it opened, so most of the cages weren’t cleaned yet. There was a lot of poop around. It was a cold winter morning, and steam was coming out from each pile as the morning sunshine streamed down on it. It was such a vivid scene. I was so impressed that on my way back home, I made up my mind to draw a book about poop. However, when I brought a draft of Minna Unchi to the publisher, the editors had an argument about whether or not to publish it. But there was one woman who loved the book and convinced the others to do it. When the book was published, I received an incredible response from children who said, “I look at poop, too.” I think they were so surprised and happy that some strange man drew a book about poop–something their parents had scolded them not to talk about. But they had also seen this weird thing coming from their bodies. Or, if there was a baby at home, they’d seen poop in its diapers. It was a funny, curious, and interesting thing for them. One boy who loved the book sent me cards entitled “Today’s Poop” almost every day for six months. There were many kids like that.”
Santa Through the Window (1995).
I love this one because of the non-traditional Christmas colors—hot pink instead of red. And for the way Gomi plays with the idea of Santa making mistakes. Gomi is always questioning the status quo and making us think, as he does with the guessing game aspect of this book.
Who Ate It? (1991).
This is a book but also a game. You are asked who ate the cherries and then shown a picture of elephants. But if you look closely, one of them has a cherry-stemmed tail. It’s delightful! (And it shows Gomi’s ability to challenge and amuse perfectly.)
I Lost My Dad (2001;2005).
A lift the flap book that follows a boy looking for his father in a shopping center and all the red herrings he sees instead.
Play All Day (2010).
Gomi has many doodle, scribble, and activity books. This one has the extra special element of characters and worlds you can punch out and create your own stories with.
You might be interested in my last Their Picture Book Life installment too: Ruth Krauss!
Or my 15 fabulously interactive books for kids featuring one of Taro Gomi’s!