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Autumn means monarch butterflies migrating from Canada to Mexico and this vibrant picture book celebrates the amazing annual occasion with lyrical text in both Spanish and English to read or sing!
Señorita Mariposa does several things all at once. It pays tribute to one monarch butterfly, and the many like it who travel together, pollinating flowers along the way.
It shows the beauty of these magnificent marigold insects dancing through the sky by way of Marcus Almada Rivero‘s lush, crisp, and joyful illustrations.
And finally, it encourages love and care for the world around us, for these creatures who are part of a vast ecosystem that connects us all. The above spread in particular shows people doing just that through a community garden.
A lively book that takes monarchs as its muse to inspire song and sweetness and science!
Big thanks to Penguin for the review copy and images!
Not only that, but this book has also inspired a butterfly clothespin craft!
Kait Walsh is the visionary behind the Zinnia and the Bees pom-poms I’ve made with kids in libraries and bookstores for the last two years AND she devised a yarn bomb for us to do with young artists the week my book launched, so I’m already a big admirer and super grateful to her.
She’s a former teacher and illustrator who makes books for kids—you can check out her latest one, Don’t Cry Duck. She tells stories and facilitates crafts and does art-inspired community projects all over Los Angeles and I’m happy to have her on This Picture Book Life.
Over to Kait!
“Little butterfly you caught my eye”
This craft was inspired by the beauty of one butterfly and the incredible journey they make when millions of them come together.
Making this with your family? Create butterflies in honor of your relatives and discuss how the butterflies migrate north over three or four generations.
Making this with your class? Use it as a lesson about working together. Have each student make a butterfly, attach the clothespins to yarn or a string, and hang it somewhere in your classroom as a bright and beautiful reminder of connectedness.
Allow your child or students to play and discover new and unique shapes as they paint the wings. But the real fun happens when you clip all the butterflies together in a group, reminiscent of the beautiful illustrations by Marcus Almada Rivero of the Sierra Mountain butterfly hibernation in the oyamel fir trees.
The sky’s the limit! xx
Thank you so much, Kait, for making this little butterfly come to life!
For almost a decade, Kait Walsh taught five and six year-olds in a classroom. Now she spends her days creating art and stories for kids and kids at heart. Her art is a love letter. A letter that has been sketched, painted, cut, carved, stamped, sewn, glued…everything but the kitchen sink! But like all the things she has ever worked on, the real magic happens in the spaces where it interacts with you! Follow Kait on Instagram for more art, more stories and more community.
My favorite thing about this picture book is the way it plays with expectations and perception and reversals, namely who is Alma and who is the beast. It might not be who you first assume! In fact, like the cover, this book turns what we expect from a fairy tale on its head. Plus, a shaggy forest containing a “plumpooshkie” butterfly—I mean, this world is as inventive and charming as a world can be.
If you’ve read Ooko, her first author-illustrator offering, you’ll know that Esmé Shapiro likes to experiment with perception, the unexpected, playfulness, hand-drawn type, and quirky yet gorgeous artwork where you can see the strokes and seep of watercolors and paint, all with a fantastical quality. (She also illustrated Yak and Dove by Kyo Maclear, whose picture book life I’ve featured.)
And now…the trailer! Made by Esmé Shapiro, followed by an interview with the author-illustrator and some behind the scenes photos.
This Picture Book Life: How did you conceive of ALMA AND THE BEAST?
Esmé Shapiro: I always have believed that ideas land on our heads like little clouds. They have a mind of their own and we never know when they are going to choose us. The idea for Alma and the Beast landed on my head about six years ago in the form of an image. The image was of a little girl being surprised by a hairy being in her garden. It was a striking idea, and I wanted to unfold the story around it.
TPBL: What were you thinking about when you got the idea and began the process of creating it?
ES: Once the image came to me, I wanted to understand it more. The big thing I wanted to explore was, what did hair mean to me? This little hairy girl in the garden – who was she? I have always been fascinated with the symbology of hair. To me, it represents the side of ourselves that is more connected with nature and to our instincts. In Alma and the Beast I used hair as a symbolic device for our inner wildness, our untamed and true selves.
Originally, the story was told from the point of view of the little girl, who was frightened to see a bluish grey hairy girl in her garden. Eventually I started to question why I was telling it from the perspective of the little girl. I suppose I related to her right off the bat because she looked more like me. I felt it was important to challenge that impulse, because the little hairy being would be just as frightened to see the little girl. That’s when I decided to flip the story on its head and tell the tale from the perspective of the hairy girl. That’s when the fun started. What would her world look like? And how would that change in perspective challenge our ideas about what we expect from a picture book and from other people?
TPBL: What did you want to achieve or get across to readers especially in terms of reversals and perception?
ES: Kids and adults alike are often wary of people they don’t understand, when really if we just took the time to get to know them, we would find we are much more alike than different. We all just need to feel safe and most importantly, be loved for who we are. In Alma and the Beast, I wanted to show that empathy is a powerful tool that can bring us closer together in understanding each other. I think the reversal in point of views from the beginning helps hit this message home. It was important to me to show that, at first, Alma was imperfect in how she reacted to this strange human creature in her backyard. She even refers to her as “a beast.” But a conversation with the “beast” leads Alma to understand that this creature is really just frightened and far away from home. Alma’s empathic moment brings these two girls together, and eventually leads her on an adventure into friendship and understanding.
TPBL: Where did you find inspiration for Alma’s “hairy world”?
ES: I drew a lot inspiration from nature, especially willow trees, who seem to always have the best hair styles. That’s why I wanted a willow tree to be the portal between the two worlds, because they seem like they could belong in either realm. I started to see grass as the earth’s hair, and I thought about fuzzy moss and the thin lines on bark, too. And, of course underwater plants, like lanky kelp and stringy seaweed. I imagined that in the hairy world, the plants and trees are always a little wiggly. I tried to channel Mary Blair, and the strength of her landscape design for early Disney animations. I wanted Alma’s world to seem like it could possibly exist if we just looked long enough through the forest – perhaps in a bog behind a log.
TPBL: Please tell us about the process of making the trailer, which is wonderful!
ES: Thank you so much for your kind words! I knew from the beginning that I wanted to send Alma and the Beast into the world with an animated book trailer. The world just begs to be explored through sound and movement. But there was only one small problem: I don’t know how to animate.
So I tried to teach myself – but, boy, was that difficult! My instinct was to imagine the story as if it were a play. So I made a stage out of paper cutouts and created little paper dolls of Alma and the Beast. Then I took photos of it at a photo studio in the back of my friend’s shop. I spent a few days slowly moving the paper dolls across the stage. It took a long time and many bowls of soup to get through it.Then I brought the footage home and thought it looked wonderful, but it was really missing the hair moving through the wind. I taught myself how to draw on top of the photos to create a sense of movement.
Once I was finished animating some hair flowing in the wind and tiny squishy bugs, I had my incredibly talented friend Allyson make the soundtrack. Allyson has been very supportive of this hairy tale from the beginning and feels very close to it. So when I asked her to make the music for the trailer, I barely had to give her any direction. She used sounds from a really old-fashioned sampling keyboard called a mellotron. The recorded sounds are from people playing instruments in the 1950s. It gives the sound a really interesting texture. The result is a song that is equal parts whimsy and bizarre. In my mind, it carries you away to another realm: Alma’s hairy world.
We’re giving away a pair of books in honor of Alma and the Beast‘s release! Hop on over to my Instagram account (@writesinLA) to enter a giveaway for both of Esmé Shapiro’s author-illustrated books, Ooko and Alma! Come see!
It’s been six years of This Picture Book Life in July.
To mark the occasion, I’m giving away the six picture books above to one reader! (N. America only.)
Another by Christian Robinson (2019), a wonderful, curious, and wordless mind-bender in Robinson’s signature illustrative style.
The Undefeated by Kwame Alexander and Kadir Nelson (2019), an incredible, jaw-droppingly gorgeous book the author describes as a “love letter to America. To black America.”
My Papi Has A Motorcycle by Isabel Quintero, illustrated by Zeke Peña (2019), a portrait of a hometown and a family and change and what stays the same.
You’re Safe with Me by Chitra Soundar, illustrated by Poonam Mistry (2018), a lullaby of a book to feel safe in any storm (and you can see the craft the illustrator contributed to a blog post last year here!).
How to Two by David Soman (2019), an inventive counting book that honors play and collaboration and inclusion.
It’s Time for Bed by Ceporah Mearns and Jeremy Debicki, illustrated by Tim Mack (2018), a bedtime book featuring Siasi, who would charmingly rather commune with Arctic animals than fall asleep.
I believe I met Bunnie from Brave + Kind Bookshop through Instagram. She was so generously supportive of my novel and when I found out she was starting her very own independent bookstore in Decatur, Georgia, I wanted to support her wonderful endeavor.
I cannot wait to visit in person someday, and I hope you do too!
Big thanks to Bunnie for sharing six picture book recommendations! Over to her!
I was at a point in my life where I wanted to turn a literal next chapter. A fit for my life and family. Something that would leave a lasting impact. I’d like to say I was not heavily influenced by Meg Ryan in You’ve Got Mail (1995), but it certainly planted a seed all those years ago.
So here am I now with my own little neighborhood shop around the corner. I’m grateful to get to curate a fun selection of kids books that I hope will inspire them to do something Brave, to do something Kind. It certainly makes me feel Brave and Kind to be a part of that.
As I look around the bookshop to finish writing I realize I have almost none of the books from below on the shelves currently because I can’t stop recommending them to our friends at Brave—HA!
I Had a Favorite Dress by Boni Ashburn, illustrated by Julia Denos (2011).
“Snip snip, sew sew, new shirt—hello!”
I love this book first because the illustrations are just so darn sweet. And the beautiful chocolate girl on the cover just melts me. My first born (of two) is a girl, Andie and we have had our share of favorite dresses. It’s a story about a girl who outgrows her favorite dress but finds a way (with the help of her creative and patient mama) to keep wearing it in different iterations. The story is centered and illustrated around days of the week and seasons and its sing-song nature spins a fun and loving tale of getting older, creating memories, and adjusting to change.
One by Kathryn Otoshi (2008).
“But One stood up straight like an arrow and said, NO.”
I read this to my son’s (Avery) 1st grade class and they got so into it. They couldn’t wait for me to read the next page! Its use of primary and secondary colors and numbers as characters proves a unique and fresh spin in this story about bullies and standing up for yourself and others. Blue is quiet, and Red is a hothead. One is about friendship and bravery and kindness and a staple on the shelves at Brave + Kind.
The Day You Begin by Jacqueline Woodson, illustrated by Rafael López (2018).
“Rigoberto. From Venezuela, your teacher says so soft and beautifully that your name and homeland sound like flowers blooming the first bright notes of a song.”
I’m partial to books that have diverse representation because I believe that everyone deserves (and wants) to see themselves in the stories they read (and watch too). We want to know that who we are and what we have to share with the world is good and enough. Even though we may look different on the outside with things like skin color, the things we eat or like to play, we are more alike than we know. This book’s cast of children is grappling with too poor, too shy, too different, or are they? The story celebrates bravery and stepping out to share your story even when you feel like an outsider. And what you may pleasantly find when you do.
How to Be A Lion by Ed Verde (2018).
“They say, a lion can’t be gentle.”
This is an inspiring and courageous story of Leonard (a lion) and his best pal Marianne (a duck) and how these unlikely friends conspire to show those who insist that a lion and a duck should not be friends, that there are many ways to be a lion and many ways to be a friend. Timely and charming, this story will open young readers’ eyes to the importance of trusting their intuition and how choosing kindness in the face of criticism might just change the world.
Dear Girl by Amy Krouse Rosenthal and Paris Rosenthal, illustrated by Holly Hatam (2017).
“Dear Girl, Keep that arm raised. You have smart things to say.”
Oh my gosh I really think all the girls should have a copy of this and women too. Each page is a manifesto for all young girls as they consider what it means to trust and just be themselves. And that they are beyond amazing, just as they are.
Rumple Buttercup: A Story of Bananas, Belonging, and Being Yourself by Matthews Gray Gubler (2019).
“For All the Rumples Everywhere.”
Let me start by saying, I was sobbing by the end of this story. Think, what every single one of us wants is to belong and feel loved and connected. And I believe that our differences are what actually bind us together. Rumple is really weird. One of his eyeballs is literally floating in mid-air the entire book. And his teeth are crooked and skin is green. But if we really think about it, we all have something about ourselves that we feel is weird. (I haven’t always had a gap in my front teeth but I’m starting to like it, I think.) I don’t want to spoil it if you haven’t read it yet, but there’s an imaginary friend made of old candy and spaghetti and at some point Rumple thinks it’s a great idea to wear a banana on his head to blend in. Its beautifully quirky illustrated pages coupled with its inspiring and important message make this the perfect gift for anyone at all including yourself.
Bunnie Hilliard lives in Decatur, Georgia with her Hubby, Two kids Andie and Avery, and dog Brodie. She’s a stay at home mom (with a few side hustles) turned newest shop girl on the block (7 months and counting). When she grows up she wants to be brave and kind.
I thought it would be nice to round up a list of books that capture small, still moments. Moments to pay attention to. Moments to savor.
All Around Us by Xelena González, illustrated by Adriana M. Garcia (2017).
Alia of Read it Real Good first brought this book to my attention in her guest post. A grandparent and grandchild see the circles—both literal and figurative—in nature and life and family against a backdrop of beautiful, noteworthy illustrations.
It captures meditative moments.
The Stuff of Stars by Marion Dane Bauer, illustrated by Ekua Holmes (2018).
A stunning book about the beginning of the universe, and the beginning of you and me.
It captures moments of stardust transforming.
On a Magical Do-Nothing Day by Beatrice Alemagna (2017).
Without their video game, a child becomes immersed in the outside world instead. “Why hadn’t I done these things before today?” they wonder as the book affirms curiosity and play and unencumbered time.
It captures moments of exploring the outdoors.
I Am Loved by Nikki Giovanni, illustrated by Ashley Bryan (2018).
A collection of poems by Nikki Giovanni that explore many things: social justice, pride, music, quilts, and cats. But they all exude love, for self and for others.
It captures moments of love and warmth.
Tiny, Perfect Things by M.H. Clark, illustrated by Madeline Kloepper (2018).
A child and grandparent go on a walk and discover the treasures all around them.
It captures moments of noticing.
A boy and his grandmother pick berries (written in English with Cree vocabulary) and thank the clearing before leaving it. Contemplative with endearing details and a recipe for blueberry jam at the back.
It captures moments of nature.
Crown: An Ode to the Fresh Cut by Derrick Barnes, illustrated by Gordon C. James (2018).
A beautiful, triumphant book full of the most expressive portraits throughout. It’s, as the title suggests, about getting a haircut. But it’s about much more than that too.
“It’s the look your English teacher gives you when she hands you your last test with a bright red 97 slapped on it. It’s how your mother looks at you before she calls you beautiful. Flowers are beautiful. Sunrises are beautiful. Being viewed in your mother’s eyes as someone that matters—now that’s beautiful.”
It captures moments of pride.
You Hold Me Up by Monique Gray Smith, illustrated by Danielle Daniel (2017).
Written in both English and Plains Cree, an absolutely wonderful book embodying kindness and respect. The starting point was for “healing and Reconciliation” in response to the history of oppression of Indigenous people, particularly in regards to Residential Schools in Canada.
It captures moments of community and relationships.
A walk home followed by bedtime in which a child wonders about all the neighbors’ own homes and bedtime routines.
It captures moments of empathy and imagination.
The Night Box by Louise Greig and Ashling Lindsay (2017).
A curious book about a boy who has the key to let out the night, lyrically exploring day and dark.
It captures moments of night.
The Night Job by Karen Hesse, illustrated by G. Brian Karas (2018).
This is a book that makes you feel like you are right there.
It captures real, true moments of a night shift.
Up The Mountain Path by Marianne Dubuc (2018).
This sweet story guides the reader along while Mrs. Badger leads Lulu the little cat up the mountain path to Sugarloaf Peak with gentle encouragement, the right tools, and wise words.
It captures moments of sharing something you love.
A Walk in the Forest by Maria Dek (2017).
This book is an invitation to walk, to follow paths, to shout, and to look in the forest.
It captures moments of play and wonder.
The Sound of Silence by Katrina Goldsaito, illustrated by Julia Kuo (2016).
Yoshio is on a quest for silence in bustling Tokyo in this captivating story where the text and illustrations work together perfectly.
It captures moments of searching and silence.
H is for Haiku by Sydell Rosenberg, illustrated by Sawsan Chalabi (2018).
A joyful compendium of 26 haiku poems embodying details of New York City.
It captures moments of life lived and observed. It captures poetry.
Singing Away the Dark by Caroline Woodward, illustrated by Julie Morstad (2010).
A lullaby for coping with fears.
It captures moments of being brave.
A Different Pond by Bao Phi, illustrated by Thi Bui (2017).
A gripping story filled with descriptive imagery and glowing illustrations of a boy and his father going fishing early one morning in order to feed their family—a story of this pond and the one the boy’s father left behind.
It captures moments of family.
Twenty Yawns by Jane Smiley, illustrated by Lauren Castillo (2016).
A story of a big day followed by bedtime. A story of twenty yawns.
It captures moments of nighttime.
That Neighbor Kid by Daniel Miyares (2017).
A beautiful song of a book.
It captures moments of making a friend.