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I thought it would be nice to round up a list of books that capture small, still moments. Moments to pay attention to. Moments to savor.
All Around Us by Xelena González, illustrated by Adriana M. Garcia (2017).
Alia of Read it Real Good first brought this book to my attention in her guest post. A grandparent and grandchild see the circles—both literal and figurative—in nature and life and family against a backdrop of beautiful, noteworthy illustrations.
It captures meditative moments.
The Stuff of Stars by Marion Dane Bauer, illustrated by Ekua Holmes (2018).
A stunning book about the beginning of the universe, and the beginning of you and me.
It captures moments of stardust transforming.
On a Magical Do-Nothing Day by Beatrice Alemagna (2017).
Without their video game, a child becomes immersed in the outside world instead. “Why hadn’t I done these things before today?” they wonder as the book affirms curiosity and play and unencumbered time.
It captures moments of exploring the outdoors.
I Am Loved by Nikki Giovanni, illustrated by Ashley Bryan (2018).
A collection of poems by Nikki Giovanni that explore many things: social justice, pride, music, quilts, and cats. But they all exude love, for self and for others.
It captures moments of love and warmth.
Tiny, Perfect Things by M.H. Clark, illustrated by Madeline Kloepper (2018).
A child and grandparent go on a walk and discover the treasures all around them.
It captures moments of noticing.
A boy and his grandmother pick berries (written in English with Cree vocabulary) and thank the clearing before leaving it. Contemplative with endearing details and a recipe for blueberry jam at the back.
It captures moments of nature.
Crown: An Ode to the Fresh Cut by Derrick Barnes, illustrated by Gordon C. James (2018).
A beautiful, triumphant book full of the most expressive portraits throughout. It’s, as the title suggests, about getting a haircut. But it’s about much more than that too.
“It’s the look your English teacher gives you when she hands you your last test with a bright red 97 slapped on it. It’s how your mother looks at you before she calls you beautiful. Flowers are beautiful. Sunrises are beautiful. Being viewed in your mother’s eyes as someone that matters—now that’s beautiful.”
It captures moments of pride.
You Hold Me Up by Monique Gray Smith, illustrated by Danielle Daniel (2017).
Written in both English and Plains Cree, an absolutely wonderful book embodying kindness and respect. The starting point was for “healing and Reconciliation” in response to the history of oppression of Indigenous people, particularly in regards to Residential Schools in Canada.
It captures moments of community and relationships.
A walk home followed by bedtime in which a child wonders about all the neighbors’ own homes and bedtime routines.
It captures moments of empathy and imagination.
The Night Box by Louise Greig and Ashling Lindsay (2017).
A curious book about a boy who has the key to let out the night, lyrically exploring day and dark.
It captures moments of night.
The Night Job by Karen Hesse, illustrated by G. Brian Karas (2018).
This is a book that makes you feel like you are right there.
It captures real, true moments of a night shift.
Up The Mountain Path by Marianne Dubuc (2018).
This sweet story guides the reader along while Mrs. Badger leads Lulu the little cat up the mountain path to Sugarloaf Peak with gentle encouragement, the right tools, and wise words.
It captures moments of sharing something you love.
A Walk in the Forest by Maria Dek (2017).
This book is an invitation to walk, to follow paths, to shout, and to look in the forest.
It captures moments of play and wonder.
The Sound of Silence by Katrina Goldsaito, illustrated by Julia Kuo (2016).
Yoshio is on a quest for silence in bustling Tokyo in this captivating story where the text and illustrations work together perfectly.
It captures moments of searching and silence.
H is for Haiku by Sydell Rosenberg, illustrated by Sawsan Chalabi (2018).
A joyful compendium of 26 haiku poems embodying details of New York City.
It captures moments of life lived and observed. It captures poetry.
Singing Away the Dark by Caroline Woodward, illustrated by Julie Morstad (2010).
A lullaby for coping with fears.
It captures moments of being brave.
A Different Pond by Bao Phi, illustrated by Thi Bui (2017).
A gripping story filled with descriptive imagery and glowing illustrations of a boy and his father going fishing early one morning in order to feed their family—a story of this pond and the one the boy’s father left behind.
It captures moments of family.
Twenty Yawns by Jane Smiley, illustrated by Lauren Castillo (2016).
A story of a big day followed by bedtime. A story of twenty yawns.
It captures moments of nighttime.
That Neighbor Kid by Daniel Miyares (2017).
A beautiful song of a book.
It captures moments of making a friend.
Today, I’m happy to dive into Sean Quall‘s picture book life! I’ve been following his career and have been a big admirer of his artwork for a long time so this is a neat chance to showcase some of his projects for kid readers and viewers.
When I think of Qualls’s work, I think of smooth yet textured layers. I think of pastels and pencil lines. I think of muted pinks and purples and blues that still pop. I think of shapes—circles and winking stars—on abstract backgrounds. Vibrant. Impacting and engaging. Dreamy. Beautiful.
Sean Qualls has illustrated 20 books for children (and I might even be missing a couple)!
He’s a painter and you can see a sampling of that work here.
He sometimes collaborates with his partner, Selina Alko. (See all of her books.) I wonder if (and hope!) they’ll keep making art for picture books together. When they make work together, Alko brings more collage into the mix.
He’s illustrated projects by Toni Morrison, Spike Lee, and Young People’s Poet Laureate, Margarita Engle.
Many of his projects have been biographies.
One of his latest collaborations with Selina Alko, Why Am I Me? written by Paige Britt, is a new favorite book of mine.
“When I work, I draw inspiration from an array of influences such as movies, childhood memories, aging and decaying surfaces, folk art, black memorabilia, golden books and more.”
—Sean Qualls, from his Brooklyn Library exhibition
Before John was a Jazz Giant by Carole Boston Weatherford, illustrated by Sean Qualls (2008).
Phillis’s Big Test by Catherine Clinton, illustrated by Sean Qualls (2008).
“After getting my kids off to school, I spend some time (usually in cafes) journaling/self reflecting. I also use that time to figure out what projects to spend my time on that day/week. Green tea is my drink of choice.”
—Sean Qualls, from this interview
Skit-Skat Raggedy Cat by Roxan Orgill, illustrated by Sean Qualls (2010).
I studied at Pratt Institute in Brooklyn for about a year and a half and then dropped out. Later, I took a few continuing education classes at SVA (School of Visual Arts) but much of my training has been trial and error.
—Sean Qualls, from The Brown Bookshelf interview
Lullaby for a Black Mother by Langston Hughes, illustrated by Sean Qualls (2013).
Emmanuel’s Dream: The True Story of Emmanuel Ofosu Yeboah by Laurie Ann Thomspon & Sean Qualls (2015).
“In the late 90’s I discovered outsider and folk artists and was inspired to go for feeling in my work rather than an academic approach.”
—Sean Qualls, from this interview with M is for Movement
Grandad Mandela by Zindzi Mandela, Zazi Mandela, and Ziwelene Mandela, illustrated by Sean Qualls (2018).
The Case for Loving, written by Selina Alko, illustrated by Sean Qualls and Selina Alko (2015).
Why Am I Me? by Paige Britt, Sean Qualls, and Selina Alko (2017).
Two Friends by Dean Robbins, illustrated by Sean Qualls and Selina Alko (2016).
Can I Touch Your Hair?: Poems of Race, Mistakes, and Friendship by Irene Latham & Charles Waters, illustrated by Sean Qualls & Selina Alko (2018).
KidLitTV has a wonderful video featuring both Qualls and Alko. It’s a very special studio visit that shows the pair painting together while they speak about collaboration, expressing yourself, facing your fears, and more.
“Each time I sit down and make a piece of art…that fear comes up, that fear of not being liked or not knowing that people will accept me or the art or what I’m trying to say. But I think it’s important to keep on creating even though you may be afraid because in the end you’re only you, you’re yourself…that’s all we have is who we are and that’s all we can really share with the world…”
—Sean Qualls on Kidlit TV
You might also be interested in my last “Their Picture Book Life” installment featuring Julie Flett.
Hannah is a children’s bookseller who once stopped by to give us 5 elements of a successful storytime, evidenced by 5 picture books. Now she’s back as part of my picture book gems a bookseller/librarian recommends series! And this is a treat because she’s chosen international picture book translations.
Over to Hannah!
I have always loved learning languages. As a kid, I studied Spanish in school, and as an international affairs major in college, I studied Arabic, Hindi, and Farsi. Each language has a particular nuance, reflecting unique cultures and histories–when translated, the best stories do not lose any of that uniqueness. I’m drawn to translated children’s books in particular because I believe they offer a window to the world to kids that an atlas or a nonfiction book cannot–reading a translated book gives a child a bridge across the globe, connecting the reader to a different way of thinking and imagining. The following are six of my current translated favorites from around the world.
Seven Pablos by Jorge Luján, translated from the Spanish by Mara Lethem, illustrated by Chiara Carrer.
“There are many Pablos in the world, yet they are all one. Inside each of them is a heart that beats to the same rhythm as the ocean’s waves and the rotations of the planet.”
I wish that line from Seven Pablos could be written everywhere and understood by those at the highest levels of power. This is a book that meditates on the universal human experiences of children around the world, touching on issues like migration, poverty, and bullying. It is a necessary book for the time we live in–one of those Pablos could very well be one of the 12,800 detained children at the United States border.
My Valley by Claude Ponti, translated from the French by Alyson Waters.
I’m a huge fan of weird, cozy, imagined worlds–the Moomin series is my absolute favorite–so this one appealed to me right off the bat. Its giant trim size is difficult to shelve, but it’s so necessary for spying all the minute details of the Twims’ world. These cute, squirrel-like beings live in trees with rooms that have specific purposes: a room to be born in, a room to read in, a room to swim in. With notes on their history, their mythology, and their daily lives, Ponti builds an immersive experience akin to reading a fantasy novel–making this book a delight to pore over and get lost within.
Stepping Stones: A Refugee Family’s Journey by Margriet Ruurs, translated into Arabic by Falah Raheem, art by Nizar Ali Badr.
There have been many picture book explorations of the Syrian refugee experience, but this one is my absolute favorite. A true collaboration between author and artist, this bilingual story is a resonant, lyrical tale of one family’s life before and during the war and their hard journey out of Syria and into a hopeful future. Though Badr’s images are composed only from sea-smoothed stone, they are full of life and poignancy.
Chirri & Chirra by Kaya Doi, translated from the Japanese by Yuki Kaneko.
Never have I wanted to hug a book so much. This is a delicious and delightful ride of a book–one of those you want to step right inside and live within, featuring two adorable girls who ride their bikes through a magical world where friendly animals serve them jam sandwiches and clover blossom tea and other delicious treats. Though this book was published in 2016, its comforting, cheery atmosphere gives it the feel of a bygone classic.
Feather by Cao Wenxuan, translated from the Chinese by Chloe Garcia-Roberts, illustrated by Roger Mello.
Feather is a unique, beautiful take on the “Are You My Mother” story structure as a lost feather floats along, trying to find the bird it belongs to. Paired with Mello’s spare yet rich and dynamic illustrations, this hopeful story of searching for belonging soars above the rest. I highly recommend this one for fans of birds, folktales, and accessibly philosophical kids’ books.
On a Magical Do-Nothing Day by Beatrice Alemagna, translated from the French by Jill Davis
Nature can awaken even the most stodgy of imaginations. In On a Magical Do-Nothing Day, Alemagna’s bespectacled, bored child (gender is never addressed, which I LOVE) finds theirs jump-started after they drop their video game in a pond and begin to notice the wonder of the woods around them. Alemagna’s prose and illustrations sing with delicious metaphor, and her magical, mystical forest is rich in texture and detail. I dare you to read this book and not want to immediately go traipsing through the woods, finding your own magic.
Hannah lives in Athens, GA, where she works as the manager of children’s books at Avid Bookshop. She often daydreams about living a calm and peaceful life in Moominvalley or traipsing the Maine coast with Miss Rumphius. A librarian at heart (and in training), Hannah loves the look on a kid’s face when they find a book they truly love.
5 years! So many picture book posts!
To celebrate, I’d like to give away 5 sets of picture books on different themes.
Each one has its own Rafflecopter—enter one or two or all five! (North America only.)
Set #1: SUMMERTIME!
Set #2: BIOGRAPHY!
Little Leaders: Bold Women in Black History; Preaching to the Chickens: The Story of Young John Lewis; Miguel y su valiente caballero: El joven Cervantes sueña a don Quijote; Little Guides to Great Lives: Amelia Earhart; Dangerous Jane; A Boy and a Jaguar.
Set #3: BEING YOURSELF!
Set #4: SCIENCE!
Set #5: READING, STORY, LANGUAGE, AND IMAGINATION
I’m so delighted to feature Julie Flett here! She is a Cree-Metis artist, illustrator, and author from Canada, creating some of the most beautiful children’s books ever.
Her art is so distinctive—the play of smooth solids and patterns, of muted tones and vibrant accents of color, all with ever present clean lines, bold shapes, and collage. Her projects explore and celebrate Native people and include themes of history, family bonds, culture, and nature. You know when you’re holding one of her books in your hands—her illustrations communicate so much feeling and connection to others and the world around us. Each one truly tells a story.
Wild Berries (2013).
Julie Flett wrote and illustrated this one in which a boy and his grandmother pick blueberries in the woods. This book is filled with small, still, contemplative moments and details as well as bilingual vocabulary from the Cree language. Plus, there’s a recipe for wild blueberry jam at the back.
A lullaby to a little one, bursting with love and joy.
I’m interested in the everyday experience, in the intimacy of my subject matter. For Little You, I thought a lot about my son as a baby and toddler. The page with the hole in the mother’s sock reads, “Let’s all dance, let’s all sing,” and the image for this page came to me right away. I often played music for my son when he was a baby and we would dance around the kitchen or living room together.
—Julie Flett at 49th Shelf
This book fills my heart with happiness and is a wonderful exploration of the connective and special while simple things in life, incorporating elements of Native culture. Beautiful.
As an adult, I attended art school at Concordia University, where my major was studio art. The work I was producing at that time was installation based, painting, sound, and some film work. After graduating, I worked as an advocate and outreach worker in the Downtown Eastside of Vancouver. During that period, my sister, who worked for First Nations publisher Theytus Books, asked me if I’d like to illustrate a book. They were looking for an illustrator for a children’s story and asked me to submit draft drawings. It all happened so quickly that I didn’t have much of a chance to really think about not having experience as an illustrator. I discovered a love for this.
—Julie Flett, in Booklist
We Sang You Home, written by Richard Van Camp (2016).
“Just look at the joy and the smile of the child on the cover! That kid is loved, and that’s what I want for Native kids! To feel loved by words, by story, by books. We Sang You Home is a board book that, with very few words on each page, tells a child about how they were wanted, and how they came to be, and how they were, as the title says, sang home where they’d be kissed, and loved, and… where they, too, would sing.”
Her full review here.
My mom was a textile artist. She had a weaving shop when we were growing up, in the 1970s, and later a consignment-clothing store with a focus on vintage clothing from the ’20s and ’30s. I was around textiles a lot as a child. My sister and I used to spin wool for the weaving shop, and I developed a love for patterns, dyes, and materials. I think I approach the collage work similarly to composing a haiku. My collage imagery is often pared down, emphasizing simplicity, intensity, and direct expression. I’m also inspired by painters, filmmakers, and children’s bookmakers from earlier periods. I especially like Ezra Jack Keats, Eric Carle, artist Sonia Delaunay, Inuit print-maker Pitseolak Ashoona, and filmmaker Andrei Tarkovsky, to name a few.
—Julie Flett, in Booklist
Without mentioning them outright, this book takes on the topic of Canadian residential schools in which Indigenous children were sent away to government facilities in order to assimilate into Canadian/European/English or French-speaking culture. “In all, about 150,000 First Nation, Inuit and Métis children were removed from their communities and forced to attend the schools.” The conditions were terrible, and the children were isolated from their families, cultures, and languages for most or all of the year.
In this story, a child asks her grandmother a series of questions about her daily life and practices—her bright clothes, her long braid, her Cree words that “sounded just like a poem.” The answers illuminate the injustice of her grandmother’s past as well as the way she then and now strives to reclaim her heritage, pride, and self, courageously and poignantly. It’s an eye-opening, sad, and important book that’s perfectly crafted in a way for young readers to engage with.
Here’s an article that includes quotes from Julie Flett about the process of creating When We Were Alone.
We All Count (2014).
Admittedly, I haven’t been able to get a copy of this one to read myself, but wanted to include it because it’s another book Julie Flett has written as well. A counting book that’s gorgeously illustrated and helps kids not only count, but learn the Cree language. Win, win, win.
Good news! Thanks to the generosity of Orca Books and Highwater Press, I’m giving away a pack of four of Julie Flett’s books to one lucky winner! One person will win all four books pictured (My Heart Fills With Happiness; Little You; We Sang You Home; When we Were Alone. Enter through the Rafflecopter below.)